Pulvermaar by Dominik Eulberg cover art

Pulvermaar

Dominik Eulberg

Key
5A · C minor
BPM
74
Double-time
148
Open Key
10m
Energy
9/100
Pop
16/100
Length
1:31
Released
2025
Genre
Minimal
Loudness
-26.3 dB

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Pulvermaar is a minimal track in C minor (5A) at 74 BPM. The mix is almost entirely instrumental. The master keeps real dynamic headroom. Calmer than 97% of Dominik Eulberg's catalogue.

Brightness:
darker than 95% of Dominik Eulberg's catalogue
Tempo:
slower than 94% of Dominik Eulberg's catalogue
Groove:
less groove-driven than 89% of Dominik Eulberg's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy9
Mood3Dark
Groove22
Acoustic91
Instrumental87
Live9
Speech5

Frequency spectrum

amplitude · bass → treble

FAQ

What key is Pulvermaar in?

Pulvermaar by Dominik Eulberg is in C minor, or 5A on the Camelot wheel.

What BPM is Pulvermaar?

Pulvermaar runs at 74 BPM.

What mixes well with Pulvermaar?

From 5A it blends harmonically with 6A, 5B, 4A. Moving to 6A lifts the energy a step.

Is Pulvermaar good for peak time?

With energy 9 out of 100 at 74 BPM, it works best as a warm-up or breakdown cut.

Mixes harmonically

5A4A · 6A · 5B

From 5A, 6A (G minor) lifts the energy a step; 5B (E♭ major) brightens to the relative major; 4A (F minor) cools the energy down a step.

#Track

Every move from 5A

6ASimple Mix Upper
4ASimple Mix Downer
5BTonal Shift·
6BDiagonal Mix Upper
4BDiagonal Mix Downer
2BCompatible Tone·
7AHigh Energy Boost▲▲▲
3AHigh Energy Drain▼▼▼
8AParallel Key Upper▲▲
2AParallel Key Downer▼▼
12ATritone Jump▲▲
9ARelated Keyrisky

How to mix it

In 5A at 74 BPM: 6A (G minor) — move to 6A to push the floor harder; 5B (E♭ major) — switch to 5B for a mood change without losing the groove; 4A (F minor) — drop to 4A to bring the room down gently.

Pitch range at ±6%: 70-78 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 12A rather than 5A; below -5% it reads as 10A. With key lock on, it stays 5A across the whole range.

Programming: a warm-up or breakdown cut — early set or after a peak to reset the room.

Similar tempo

Within ±3 BPM of 74 — beatmatch without a big tempo pull.

More minimal

More from Dominik Eulberg

Full profile
#Track

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 74 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#Track