Last Day by Richie Hawtin cover art
Key
5B · E♭ major
BPM
76
Double-time
152
Open Key
10d
Energy
2/100
Pop
3/100
Length
5:14
Released
2019
Album
Computer Space (25th Anniversary Edition)
Genre
Techno
Loudness
-24.2 dB
ISRC
CAM261800175

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

At 76 BPM in E♭ major (5B), Last Day is a techno production. The mix is almost entirely instrumental. The master keeps real dynamic headroom. Less groove-driven than 99% of Richie Hawtin's catalogue. In a set it works best as a warm-up or breakdown cut.

Energy:
calmer than 98% of Richie Hawtin's catalogue
Tempo:
slower than 96% of Richie Hawtin's catalogue
Brightness:
darker than 96% of Richie Hawtin's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy2
Mood3Dark
Groove11
Acoustic97
Instrumental93
Live10
Speech3

Frequency spectrum

amplitude · bass → treble

FAQ

What key is Last Day in?

Last Day by Richie Hawtin is in E♭ major, or 5B on the Camelot wheel.

What BPM is Last Day?

Last Day runs at 76 BPM.

What mixes well with Last Day?

From 5B it blends harmonically with 6B, 5A, 4B. Moving to 6B lifts the energy a step.

Is Last Day good for peak time?

With energy 2 out of 100 at 76 BPM, it works best as a warm-up or breakdown cut.

Mixes harmonically

5B4B · 6B · 5A

From 5B, 6B (B♭ major) lifts the energy a step; 5A (C minor) settles into the relative minor; 4B (A♭ major) cools the energy down a step.

#Track

Every move from 5B

6BSimple Mix Upper
4BSimple Mix Downer
5ATonal Shift·
6ADiagonal Mix Upper
4ADiagonal Mix Downer
8ACompatible Tone·
7BHigh Energy Boost▲▲▲
3BHigh Energy Drain▼▼▼
8BParallel Key Upper▲▲
2BParallel Key Downer▼▼
12BTritone Jump▲▲
9BRelated Keyrisky

How to mix it

In 5B at 76 BPM: 6B (B♭ major) — move to 6B to push the floor harder; 5A (C minor) — switch to 5A for a mood change without losing the groove; 4B (A♭ major) — drop to 4B to bring the room down gently.

Pitch range at ±6%: 71-81 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 12B rather than 5B; below -5% it reads as 10B. With key lock on, it stays 5B across the whole range.

Programming: a warm-up or breakdown cut — early set or after a peak to reset the room.

Similar tempo

Within ±3 BPM of 76 — beatmatch without a big tempo pull.

More techno

#Track

More from Richie Hawtin

Full profile
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Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 76 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#Track