Haust by Olafur Arnalds cover art

30s preview

Key
5A · C minor
BPM
76
Double-time
152
Open Key
10m
Energy
24/100
Pop
12/100
Length
5:28
Released
2008
Album
Variations of Static
Genre
Ambient
Label
Erased Tapes Records
Loudness
-14.9 dB
Dynamics
14.8 dB
ISRC
GBWZD0800803

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

An ambient cut, Haust sits in C minor (5A) at 76 BPM. It reads as brooding and low-slung. The groove is loose and less beat-driven. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 15 dB). A 2008 production that still circulates in sets. Slower than 79% of Olafur Arnalds's catalogue. In a set it works best as a warm-up or breakdown cut.

Brightness:
darker than 76% of Olafur Arnalds's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy24
Mood4Dark
Groove18
Acoustic84
Instrumental36
Live10
Speech4

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
30%
Low
30-130 Hz
29%
Low-mid
130-570 Hz
26%
Upper-mid
570 Hz-2.5 kHz
15%
High
2.5-11 kHz

FAQ

What key is Haust in?

Haust by Olafur Arnalds is in C minor, or 5A on the Camelot wheel.

What BPM is Haust?

Haust runs at 76 BPM.

What mixes well with Haust?

From 5A it blends harmonically with 6A, 5B, 4A. Moving to 6A lifts the energy a step.

Is Haust good for peak time?

With energy 24 out of 100 at 76 BPM, it works best as a warm-up or breakdown cut.

Mixes harmonically

5A4A · 6A · 5B

From 5A, 6A (G minor) lifts the energy a step; 5B (E♭ major) brightens to the relative major; 4A (F minor) cools the energy down a step.

#Track

Every move from 5A

6ASimple Mix Upper
4ASimple Mix Downer
5BTonal Shift·
6BDiagonal Mix Upper
4BDiagonal Mix Downer
2BCompatible Tone·
7AHigh Energy Boost▲▲▲
3AHigh Energy Drain▼▼▼
8AParallel Key Upper▲▲
2AParallel Key Downer▼▼
12ATritone Jump▲▲
9ARelated Keyrisky

How to mix it

In 5A at 76 BPM: 6A (G minor) — move to 6A to push the floor harder; 5B (E♭ major) — switch to 5B for a mood change without losing the groove; 4A (F minor) — drop to 4A to bring the room down gently.

Pitch range at ±6%: 71-81 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 12A rather than 5A; below -5% it reads as 10A. With key lock on, it stays 5A across the whole range.

Programming: a warm-up or breakdown cut — early set or after a peak to reset the room.

Similar tempo

Within ±3 BPM of 76 — beatmatch without a big tempo pull.

#Track

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Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 76 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

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