Drifting Memory Part 2
30s preview
- Key
- 8B · C major
- BPM
- 75
- Double-time
- 150
- Open Key
- 1d
- Energy
- 21/100
- Pop
- 3/100
- Length
- 17:41
- Released
- 2023
- Genre
- Ambient
- Label
- Armadillo Records
- Loudness
- -17.9 dB
- Dynamics
- 11.0 dB
- ISRC
- DEY032302631
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
At 75 BPM in C major (8B), Drifting Memory Part 2 is an ambient production. The feel is brooding and low-slung. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 11 dB). Slower than 99% of Guy J's catalogue.
- Groove:
- less groove-driven than 99% of Guy J's catalogue
- Brightness:
- darker than 99% of Guy J's catalogue
- Energy:
- calmer than 95% of Guy J's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 42%
- Low
- 30-130 Hz
- 41%
- Low-mid
- 130-570 Hz
- 17%
- Upper-mid
- 570 Hz-2.5 kHz
- 0%
- High
- 2.5-11 kHz
FAQ
What key is Drifting Memory Part 2 in?
Drifting Memory Part 2 by Guy J is in C major, or 8B on the Camelot wheel.
What BPM is Drifting Memory Part 2?
Drifting Memory Part 2 runs at 75 BPM.
What mixes well with Drifting Memory Part 2?
From 8B it blends harmonically with 9B, 8A, 7B. Moving to 9B lifts the energy a step.
Is Drifting Memory Part 2 good for peak time?
With energy 21 out of 100 at 75 BPM, it works best as a warm-up or breakdown cut.
Mixes harmonically
8B → 7B · 9B · 8AFrom 8B, 9B (G major) lifts the energy a step; 8A (A minor) settles into the relative minor; 7B (F major) cools the energy down a step.
How to mix it
In 8B at 75 BPM: 9B (G major) — move to 9B to push the floor harder; 8A (A minor) — switch to 8A for a mood change without losing the groove; 7B (F major) — drop to 7B to bring the room down gently.
Pitch range at ±6%: 70-80 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 3B rather than 8B; below -5% it reads as 1B. With key lock on, it stays 8B across the whole range.
Programming: a warm-up or breakdown cut — early set or after a peak to reset the room.
Similar tempo
Within ±3 BPM of 75 — beatmatch without a big tempo pull.
More ambient
More from Guy J
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 75 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
