Exit
30s preview
- Key
- 8B · C major
- BPM
- 150
- Half-time
- 75
- Open Key
- 1d
- Energy
- 19/100
- Pop
- 8/100
- Length
- 3:50
- Released
- 2014
- Genre
- Techno
- Loudness
- -16.5 dB
- Dynamics
- 13.0 dB
- ISRC
- ITN3C2300010
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Exit runs 150 BPM in C major (8B), a fast techno record. The feel is brooding and low-slung. It leans atmospheric over strictly danceable. Its spectrum is centred in the low-mids, warm and bass-forward. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 13 dB). A 2014 production that still circulates in sets. Calmer than 99% of Sam Paganini's catalogue. In a set it works best as a warm-up or breakdown cut.
- Groove:
- less groove-driven than 99% of Sam Paganini's catalogue
- Brightness:
- darker than 99% of Sam Paganini's catalogue
- Tempo:
- faster than 96% of Sam Paganini's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 26%
- Low
- 30-130 Hz
- 35%
- Low-mid
- 130-570 Hz
- 25%
- Upper-mid
- 570 Hz-2.5 kHz
- 14%
- High
- 2.5-11 kHz
FAQ
What key is Exit in?
Exit by Sam Paganini is in C major, or 8B on the Camelot wheel.
What BPM is Exit?
Exit runs at 150 BPM, a fast track.
What mixes well with Exit?
From 8B it blends harmonically with 9B, 8A, 7B. Moving to 9B lifts the energy a step.
Is Exit good for peak time?
With energy 19 out of 100 at 150 BPM, it works best as a warm-up or breakdown cut.
Mixes harmonically
8B → 7B · 9B · 8AFrom 8B, 9B (G major) lifts the energy a step; 8A (A minor) settles into the relative minor; 7B (F major) cools the energy down a step.
How to mix it
In 8B at 150 BPM: 9B (G major) — move to 9B to push the floor harder; 8A (A minor) — switch to 8A for a mood change without losing the groove; 7B (F major) — drop to 7B to bring the room down gently.
Pitch range at ±6%: 141-159 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 3B rather than 8B; below -5% it reads as 1B. With key lock on, it stays 8B across the whole range.
Programming: a warm-up or breakdown cut — early set or after a peak to reset the room.
Similar tempo
Within ±3 BPM of 150 — beatmatch without a big tempo pull.
More techno
More from Sam Paganini
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 150 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
