Jules Verne
30s preview
- BPM
- 148
- Half-time
- 74
- Open Key
- 7d
- Energy
- 26/100
- Pop
- 0/100
- Length
- 5:40
- Released
- 2017
- Album
- Voyage De La Planète
- Genre
- Techno
- Loudness
- -13.8 dB
- Dynamics
- 15.9 dB
- ISRC
- DEU671602386
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Jules verneoriginal2B · 148
A fast techno cut, Jules Verne sits in F♯ major (2B) at 148 BPM. The mix is almost entirely instrumental. Its spectrum is centred in the low-mids, warm and bass-forward. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 16 dB). A 2017 production that still circulates in sets. Darker than 99% of Marc Romboy's catalogue.
- Reach:
- more underground than 99% of Marc Romboy's catalogue
- Low end:
- more treble-tilted than 98% of Marc Romboy's catalogue
- Tempo:
- faster than 97% of Marc Romboy's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 28%
- Low
- 30-130 Hz
- 36%
- Low-mid
- 130-570 Hz
- 25%
- Upper-mid
- 570 Hz-2.5 kHz
- 11%
- High
- 2.5-11 kHz
FAQ
What key is Jules Verne in?
Jules Verne by Marc Romboy is in F♯ major, or 2B on the Camelot wheel.
What BPM is Jules Verne?
Jules Verne runs at 148 BPM, a fast track.
What mixes well with Jules Verne?
From 2B it blends harmonically with 3B, 2A, 1B. Moving to 3B lifts the energy a step.
Is Jules Verne good for peak time?
With energy 26 out of 100 at 148 BPM, it works best as a warm-up or breakdown cut.
Mixes harmonically
2B → 1B · 3B · 2AFrom 2B, 3B (D♭ major) lifts the energy a step; 2A (E♭ minor) settles into the relative minor; 1B (B major) cools the energy down a step.
How to mix it
In 2B at 148 BPM: 3B (D♭ major) — move to 3B to push the floor harder; 2A (E♭ minor) — switch to 2A for a mood change without losing the groove; 1B (B major) — drop to 1B to bring the room down gently.
Pitch range at ±6%: 139-157 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 9B rather than 2B; below -5% it reads as 7B. With key lock on, it stays 2B across the whole range.
Programming: a warm-up or breakdown cut — early set or after a peak to reset the room.
Similar tempo
Within ±3 BPM of 148 — beatmatch without a big tempo pull.
More techno
More from Marc Romboy
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 148 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
