Elsewhere Anchises
30s preview
- Key
- 8B · C major
- BPM
- 75
- Double-time
- 150
- Open Key
- 1d
- Energy
- 18/100
- Pop
- 3/100
- Length
- 4:51
- Released
- 2016
- Genre
- Techno
- Loudness
- -19.9 dB
- Dynamics
- 18.8 dB
- ISRC
- GBDDN1600642
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Elsewhere Anchises runs 75 BPM in C major (8B), a techno record. It reads as brooding and low-slung. The groove is loose and less beat-driven. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 19 dB). A 2016 production that still circulates in sets. Slower than 88% of Jon Hopkins's catalogue. For programming, treat it as a warm-up or breakdown cut.
- Reach:
- more underground than 79% of Jon Hopkins's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 39%
- Low
- 30-130 Hz
- 35%
- Low-mid
- 130-570 Hz
- 20%
- Upper-mid
- 570 Hz-2.5 kHz
- 6%
- High
- 2.5-11 kHz
FAQ
What key is Elsewhere Anchises in?
Elsewhere Anchises by Jon Hopkins is in C major, or 8B on the Camelot wheel.
What BPM is Elsewhere Anchises?
Elsewhere Anchises runs at 75 BPM.
What mixes well with Elsewhere Anchises?
From 8B it blends harmonically with 9B, 8A, 7B. Moving to 9B lifts the energy a step.
Is Elsewhere Anchises good for peak time?
With energy 18 out of 100 at 75 BPM, it works best as a warm-up or breakdown cut.
Mixes harmonically
8B → 7B · 9B · 8AFrom 8B, 9B (G major) lifts the energy a step; 8A (A minor) settles into the relative minor; 7B (F major) cools the energy down a step.
How to mix it
In 8B at 75 BPM: 9B (G major) — move to 9B to push the floor harder; 8A (A minor) — switch to 8A for a mood change without losing the groove; 7B (F major) — drop to 7B to bring the room down gently.
Pitch range at ±6%: 70-80 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 3B rather than 8B; below -5% it reads as 1B. With key lock on, it stays 8B across the whole range.
Programming: a warm-up or breakdown cut — early set or after a peak to reset the room.
Similar tempo
Within ±3 BPM of 75 — beatmatch without a big tempo pull.
More techno
More from Jon Hopkins
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 75 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
