Get Back in the Line - The Kinks Christmas Concert, 1977
30s preview
- Key
- 9B · G major
- BPM
- 78
- Double-time
- 156
- Open Key
- 2d
- Energy
- 17/100
- Pop
- 0/100
- Length
- 3:31
- Released
- 2012
- Album
- At the BBC
- Genre
- Techno
- Loudness
- -14.0 dB
- Dynamics
- 19.5 dB
- ISRC
- GBUM71202879
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Get Back in the Line - The Kinks Christmas Concert, 1977: techno, G major (9B), 78 BPM. The feel is brooding and low-slung. It is vocal-led. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 20 dB). A 2012 production that still circulates in sets. Calmer than 99% of Kink's catalogue. In a set it works best as a warm-up or breakdown cut.
- Brightness:
- darker than 99% of Kink's catalogue
- Reach:
- more underground than 99% of Kink's catalogue
- Tempo:
- slower than 98% of Kink's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 26%
- Low
- 30-130 Hz
- 30%
- Low-mid
- 130-570 Hz
- 25%
- Upper-mid
- 570 Hz-2.5 kHz
- 19%
- High
- 2.5-11 kHz
FAQ
What key is Get Back in the Line - The Kinks Christmas Concert, 1977 in?
Get Back in the Line - The Kinks Christmas Concert, 1977 by Kink is in G major, or 9B on the Camelot wheel.
What BPM is Get Back in the Line - The Kinks Christmas Concert, 1977?
Get Back in the Line - The Kinks Christmas Concert, 1977 runs at 78 BPM.
What mixes well with Get Back in the Line - The Kinks Christmas Concert, 1977?
From 9B it blends harmonically with 10B, 9A, 8B. Moving to 10B lifts the energy a step.
Is Get Back in the Line - The Kinks Christmas Concert, 1977 good for peak time?
With energy 17 out of 100 at 78 BPM, it works best as a warm-up or breakdown cut.
Mixes harmonically
9B → 8B · 10B · 9AFrom 9B, 10B (D major) lifts the energy a step; 9A (E minor) settles into the relative minor; 8B (C major) cools the energy down a step.
How to mix it
In 9B at 78 BPM: 10B (D major) — move to 10B to push the floor harder; 9A (E minor) — switch to 9A for a mood change without losing the groove; 8B (C major) — drop to 8B to bring the room down gently.
Pitch range at ±6%: 73-83 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 4B rather than 9B; below -5% it reads as 2B. With key lock on, it stays 9B across the whole range.
Programming: a warm-up or breakdown cut — early set or after a peak to reset the room.
Similar tempo
Within ±3 BPM of 78 — beatmatch without a big tempo pull.
More techno
More from Kink
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 78 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
