Wørnitz by Cleric cover art

Wørnitz

Cleric

Key
8A · A minor
BPM
75
Double-time
150
Open Key
1m
Energy
47/100
Pop
0/100
Length
5:52
Released
2013
Genre
Techno
Loudness
-14.2 dB

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Other versions

Wørnitz is a techno track in A minor (8A) at 75 BPM. It reads as dark and steady. The groove is loose and less beat-driven. The mix is almost entirely instrumental. The master keeps real dynamic headroom. A 2013 production that still circulates in sets. More underground than 99% of Cleric's catalogue. In a set it works best as a high-intensity peak cut.

Tempo:
slower than 97% of Cleric's catalogue
Groove:
less groove-driven than 91% of Cleric's catalogue
Energy:
calmer than 90% of Cleric's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy47
Mood28Dark
Groove36
Acoustic17
Instrumental88
Live51
Speech10

Frequency spectrum

amplitude · bass → treble

FAQ

What key is Wørnitz in?

Wørnitz by Cleric is in A minor, or 8A on the Camelot wheel.

What BPM is Wørnitz?

Wørnitz runs at 75 BPM.

What mixes well with Wørnitz?

From 8A it blends harmonically with 9A, 8B, 7A. Moving to 9A lifts the energy a step.

Is Wørnitz good for peak time?

With energy 47 out of 100 at 75 BPM, it works best as a high-intensity peak cut.

Mixes harmonically

8A7A · 9A · 8B

From 8A, 9A (E minor) lifts the energy a step; 8B (C major) brightens to the relative major; 7A (D minor) cools the energy down a step.

#Track

Every move from 8A

9ASimple Mix Upper
7ASimple Mix Downer
8BTonal Shift·
9BDiagonal Mix Upper
7BDiagonal Mix Downer
5BCompatible Tone·
10AHigh Energy Boost▲▲▲
6AHigh Energy Drain▼▼▼
11AParallel Key Upper▲▲
5AParallel Key Downer▼▼
3ATritone Jump▲▲
12ARelated Keyrisky

How to mix it

In 8A at 75 BPM: 9A (E minor) — move to 9A to push the floor harder; 8B (C major) — switch to 8B for a mood change without losing the groove; 7A (D minor) — drop to 7A to bring the room down gently.

Pitch range at ±6%: 70-80 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 3A rather than 8A; below -5% it reads as 1A. With key lock on, it stays 8A across the whole range.

Programming: a high-intensity peak cut.

Similar tempo

Within ±3 BPM of 75 — beatmatch without a big tempo pull.

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Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 75 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

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