Ghosts of Tomorrow
- BPM
- 150
- Half-time
- 75
- Open Key
- 4m
- Energy
- 56/100
- Pop
- 0/100
- Length
- 5:23
- Released
- 2018
- Genre
- Techno
- Loudness
- -16.2 dB
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Ghosts of Tomorrow: fast techno, F♯ minor (11A), 150 BPM. The mix is almost entirely instrumental. The master keeps real dynamic headroom. A 2018 production that still circulates in sets. More underground than 99% of Chris Liebing's catalogue. In a set it works best as a high-intensity peak cut.
- Tempo:
- faster than 98% of Chris Liebing's catalogue
- Energy:
- calmer than 87% of Chris Liebing's catalogue
- Groove:
- less groove-driven than 87% of Chris Liebing's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Ghosts of Tomorrow in?
Ghosts of Tomorrow by Chris Liebing is in F♯ minor, or 11A on the Camelot wheel.
What BPM is Ghosts of Tomorrow?
Ghosts of Tomorrow runs at 150 BPM, a fast track.
What mixes well with Ghosts of Tomorrow?
From 11A it blends harmonically with 12A, 11B, 10A. Moving to 12A lifts the energy a step.
Is Ghosts of Tomorrow good for peak time?
With energy 56 out of 100 at 150 BPM, it works best as a high-intensity peak cut.
Mixes harmonically
11A → 10A · 12A · 11BFrom 11A, 12A (D♭ minor) lifts the energy a step; 11B (A major) brightens to the relative major; 10A (B minor) cools the energy down a step.
How to mix it
In 11A at 150 BPM: 12A (D♭ minor) — move to 12A to push the floor harder; 11B (A major) — switch to 11B for a mood change without losing the groove; 10A (B minor) — drop to 10A to bring the room down gently.
Pitch range at ±6%: 141-159 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 6A rather than 11A; below -5% it reads as 4A. With key lock on, it stays 11A across the whole range.
Programming: a high-intensity peak cut.
Similar tempo
Within ±3 BPM of 150 — beatmatch without a big tempo pull.
More techno
More from Chris Liebing
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 150 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
