Fragments Of Silence
30s preview
- Key
- 4A · F minor
- BPM
- 154
- Half-time
- 77
- Open Key
- 9m
- Energy
- 61/100
- Pop
- 0/100
- Length
- 4:56
- Released
- 2022
- Genre
- Techno
- Loudness
- -13.1 dB
- Dynamics
- 12.2 dB
- ISRC
- GBEPM2201787
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Fragments Of Silence is a fast techno track in F minor (4A) at 154 BPM. It reads as punchy, neutral in mood. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 12 dB). More underground than 99% of Pig&Dan's catalogue. For programming, treat it as a high-intensity peak cut.
- Tempo:
- faster than 97% of Pig&Dan's catalogue
- Groove:
- less groove-driven than 89% of Pig&Dan's catalogue
- Brightness:
- brighter than 79% of Pig&Dan's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 40%
- Low
- 30-130 Hz
- 28%
- Low-mid
- 130-570 Hz
- 21%
- Upper-mid
- 570 Hz-2.5 kHz
- 11%
- High
- 2.5-11 kHz
FAQ
What key is Fragments Of Silence in?
Fragments Of Silence by Pig&Dan is in F minor, or 4A on the Camelot wheel.
What BPM is Fragments Of Silence?
Fragments Of Silence runs at 154 BPM, a fast track.
What mixes well with Fragments Of Silence?
From 4A it blends harmonically with 5A, 4B, 3A. Moving to 5A lifts the energy a step.
Is Fragments Of Silence good for peak time?
With energy 61 out of 100 at 154 BPM, it works best as a high-intensity peak cut.
Mixes harmonically
4A → 3A · 5A · 4BFrom 4A, 5A (C minor) lifts the energy a step; 4B (A♭ major) brightens to the relative major; 3A (B♭ minor) cools the energy down a step.
How to mix it
In 4A at 154 BPM: 5A (C minor) — move to 5A to push the floor harder; 4B (A♭ major) — switch to 4B for a mood change without losing the groove; 3A (B♭ minor) — drop to 3A to bring the room down gently.
Pitch range at ±6%: 145-163 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 11A rather than 4A; below -5% it reads as 9A. With key lock on, it stays 4A across the whole range.
Programming: a high-intensity peak cut.
Similar tempo
Within ±3 BPM of 154 — beatmatch without a big tempo pull.
More techno
More from Pig&Dan
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 154 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
