Intruder
30s preview
- BPM
- 144
- Half-time
- 72
- Open Key
- 5m
- Energy
- 67/100
- Pop
- 0/100
- Length
- 4:36
- Released
- 2003
- Genre
- Techno
- Loudness
- -11.4 dB
- Dynamics
- 14.4 dB
- ISRC
- DEW560300009
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Intruder: driving up-tempo techno, D♭ minor (12A), 144 BPM. It reads as dark and driving. The groove is loose and less beat-driven. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 14 dB). A 2003 production that still circulates in sets. More underground than 99% of Chris Liebing's catalogue. In a set it works best as a high-intensity peak cut.
- Groove:
- less groove-driven than 94% of Chris Liebing's catalogue
- Tempo:
- faster than 89% of Chris Liebing's catalogue
- Energy:
- calmer than 79% of Chris Liebing's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 44%
- Low
- 30-130 Hz
- 27%
- Low-mid
- 130-570 Hz
- 19%
- Upper-mid
- 570 Hz-2.5 kHz
- 9%
- High
- 2.5-11 kHz
FAQ
What key is Intruder in?
Intruder by Chris Liebing is in D♭ minor, or 12A on the Camelot wheel.
What BPM is Intruder?
Intruder runs at 144 BPM, a driving up-tempo track.
What mixes well with Intruder?
From 12A it blends harmonically with 1A, 12B, 11A. Moving to 1A lifts the energy a step.
Is Intruder good for peak time?
With energy 67 out of 100 at 144 BPM, it works best as a high-intensity peak cut.
Mixes harmonically
12A → 11A · 1A · 12BFrom 12A, 1A (A♭ minor) lifts the energy a step; 12B (E major) brightens to the relative major; 11A (F♯ minor) cools the energy down a step.
How to mix it
In 12A at 144 BPM: 1A (A♭ minor) — move to 1A to push the floor harder; 12B (E major) — switch to 12B for a mood change without losing the groove; 11A (F♯ minor) — drop to 11A to bring the room down gently.
Pitch range at ±6%: 135-153 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 7A rather than 12A; below -5% it reads as 5A. With key lock on, it stays 12A across the whole range.
Programming: a high-intensity peak cut.
Similar tempo
Within ±3 BPM of 144 — beatmatch without a big tempo pull.
More techno
More from Chris Liebing
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 144 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
