When You Were A Child by Kink cover art

When You Were A Child

Kink

30s preview

Key
8B · C major
BPM
151
Half-time
76
Open Key
1d
Energy
62/100
Pop
3/100
Length
3:41
Released
1986
Album
Think Visual
Genre
Techno
Loudness
-14.4 dB
Dynamics
18.5 dB
ISRC
USMC18621978

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

A fast techno cut, When You Were A Child sits in C major (8B) at 151 BPM. Tonally it lands bright and euphoric. It is vocal-led. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 19 dB). A 1986 production that still circulates in sets. More treble-tilted than 94% of Kink's catalogue. For programming, treat it as a high-intensity peak cut.

Tempo:
faster than 84% of Kink's catalogue
Reach:
better known than 78% of Kink's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy62
Mood69Bright
Groove51
Acoustic25
Instrumental0
Live35
Speech3

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
25%
Low
30-130 Hz
29%
Low-mid
130-570 Hz
25%
Upper-mid
570 Hz-2.5 kHz
20%
High
2.5-11 kHz

FAQ

What key is When You Were A Child in?

When You Were A Child by Kink is in C major, or 8B on the Camelot wheel.

What BPM is When You Were A Child?

When You Were A Child runs at 151 BPM, a fast track.

What mixes well with When You Were A Child?

From 8B it blends harmonically with 9B, 8A, 7B. Moving to 9B lifts the energy a step.

Is When You Were A Child good for peak time?

With energy 62 out of 100 at 151 BPM, it works best as a high-intensity peak cut.

Mixes harmonically

8B7B · 9B · 8A

From 8B, 9B (G major) lifts the energy a step; 8A (A minor) settles into the relative minor; 7B (F major) cools the energy down a step.

#Track

Every move from 8B

9BSimple Mix Upper
7BSimple Mix Downer
8ATonal Shift·
9ADiagonal Mix Upper
7ADiagonal Mix Downer
11ACompatible Tone·
10BHigh Energy Boost▲▲▲
6BHigh Energy Drain▼▼▼
11BParallel Key Upper▲▲
5BParallel Key Downer▼▼
3BTritone Jump▲▲
12BRelated Keyrisky

How to mix it

In 8B at 151 BPM: 9B (G major) — move to 9B to push the floor harder; 8A (A minor) — switch to 8A for a mood change without losing the groove; 7B (F major) — drop to 7B to bring the room down gently.

Pitch range at ±6%: 142-160 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 3B rather than 8B; below -5% it reads as 1B. With key lock on, it stays 8B across the whole range.

Programming: a high-intensity peak cut.

Similar tempo

Within ±3 BPM of 151 — beatmatch without a big tempo pull.

#Track

More techno

#Track

More from Kink

Full profile
#Track

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 151 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#Track