Remnants - Plaid Remix by Max Cooper cover art

Remnants - Plaid Remix

Max Cooper

30s preview

Key
3B · D♭ major
BPM
150
Half-time
75
Open Key
8d
Energy
59/100
Pop
5/100
Length
5:14
Released
2013
Album
Artefact Remix - EP
Genre
Techno
Loudness
-11.1 dB
Dynamics
12.8 dB
ISRC
QM4TW1538855

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Other versions

Against the original (1B at 150 BPM), this version holds the same tempo and moves the key from 1B to 3B.

A fast techno cut, Remnants - Plaid Remix sits in D♭ major (3B) at 150 BPM. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 13 dB). A 2013 production that still circulates in sets. Faster than 93% of Max Cooper's catalogue.

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy59
Mood14Dark
Groove68
Acoustic2
Instrumental80
Live9
Speech4

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
39%
Low
30-130 Hz
29%
Low-mid
130-570 Hz
23%
Upper-mid
570 Hz-2.5 kHz
9%
High
2.5-11 kHz

FAQ

What key is Remnants - Plaid Remix in?

Remnants - Plaid Remix by Max Cooper is in D♭ major, or 3B on the Camelot wheel.

What BPM is Remnants - Plaid Remix?

Remnants - Plaid Remix runs at 150 BPM, a fast track.

What mixes well with Remnants - Plaid Remix?

From 3B it blends harmonically with 4B, 3A, 2B. Moving to 4B lifts the energy a step.

Is Remnants - Plaid Remix good for peak time?

With energy 59 out of 100 at 150 BPM, it works best as a high-intensity peak cut.

Mixes harmonically

3B2B · 4B · 3A

From 3B, 4B (A♭ major) lifts the energy a step; 3A (B♭ minor) settles into the relative minor; 2B (F♯ major) cools the energy down a step.

#Track

Every move from 3B

4BSimple Mix Upper
2BSimple Mix Downer
3ATonal Shift·
4ADiagonal Mix Upper
2ADiagonal Mix Downer
6ACompatible Tone·
5BHigh Energy Boost▲▲▲
1BHigh Energy Drain▼▼▼
6BParallel Key Upper▲▲
12BParallel Key Downer▼▼
10BTritone Jump▲▲
7BRelated Keyrisky

How to mix it

In 3B at 150 BPM: 4B (A♭ major) — move to 4B to push the floor harder; 3A (B♭ minor) — switch to 3A for a mood change without losing the groove; 2B (F♯ major) — drop to 2B to bring the room down gently.

Pitch range at ±6%: 141-159 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10B rather than 3B; below -5% it reads as 8B. With key lock on, it stays 3B across the whole range.

Programming: a high-intensity peak cut.

Similar tempo

Within ±3 BPM of 150 — beatmatch without a big tempo pull.

#Track

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Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 150 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

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