IOK-1 by Jeff Mills cover art

30s preview

Key
1B · B major
BPM
149
Half-time
75
Open Key
6d
Energy
63/100
Pop
2/100
Length
4:11
Released
2022
Album
The Universe: Galaxy 1
Genre
Techno
Label
Axis
Loudness
-10.7 dB
Dynamics
9.9 dB
ISRC
USAX10000528

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Other versions

IOK-1 runs 149 BPM in B major (1B), a fast techno record. The feel is dark and driving. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. Less groove-driven than 96% of Jeff Mills's catalogue. In a set it works best as a high-intensity peak cut.

Low end:
more bass-heavy than 92% of Jeff Mills's catalogue
Tempo:
faster than 89% of Jeff Mills's catalogue
Brightness:
darker than 79% of Jeff Mills's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy63
Mood11Dark
Groove19
Acoustic7
Instrumental92
Live10
Speech5

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
45%
Low
30-130 Hz
31%
Low-mid
130-570 Hz
21%
Upper-mid
570 Hz-2.5 kHz
2%
High
2.5-11 kHz

FAQ

What key is IOK-1 in?

IOK-1 by Jeff Mills is in B major, or 1B on the Camelot wheel.

What BPM is IOK-1?

IOK-1 runs at 149 BPM, a fast track.

What mixes well with IOK-1?

From 1B it blends harmonically with 2B, 1A, 12B. Moving to 2B lifts the energy a step.

Is IOK-1 good for peak time?

With energy 63 out of 100 at 149 BPM, it works best as a high-intensity peak cut.

Mixes harmonically

1B12B · 2B · 1A

From 1B, 2B (F♯ major) lifts the energy a step; 1A (A♭ minor) settles into the relative minor; 12B (E major) cools the energy down a step.

#Track

Every move from 1B

2BSimple Mix Upper
12BSimple Mix Downer
1ATonal Shift·
2ADiagonal Mix Upper
12ADiagonal Mix Downer
4ACompatible Tone·
3BHigh Energy Boost▲▲▲
11BHigh Energy Drain▼▼▼
4BParallel Key Upper▲▲
10BParallel Key Downer▼▼
8BTritone Jump▲▲
5BRelated Keyrisky

How to mix it

In 1B at 149 BPM: 2B (F♯ major) — move to 2B to push the floor harder; 1A (A♭ minor) — switch to 1A for a mood change without losing the groove; 12B (E major) — drop to 12B to bring the room down gently.

Pitch range at ±6%: 140-158 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 8B rather than 1B; below -5% it reads as 6B. With key lock on, it stays 1B across the whole range.

Programming: a high-intensity peak cut.

Similar tempo

Within ±3 BPM of 149 — beatmatch without a big tempo pull.

#Track

More techno

More from Jeff Mills

Full profile
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Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 149 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#Track