you were there with me
30s preview
- Key
- 9B · G major
- BPM
- 148
- Half-time
- 74
- Open Key
- 2d
- Energy
- 23/100
- Pop
- 12/100
- Length
- 5:53
- Released
- 2005
- Album
- Everything Ecstatic
- Genre
- Downtempo
- Label
- Domino
- Loudness
- -21.8 dB
- Dynamics
- 17.5 dB
- ISRC
- GBCEL0400362
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
you were there with me is a fast downtempo track in G major (9B) at 148 BPM. Tonally it lands brooding and low-slung. The groove is loose and less beat-driven. Its spectrum is centred in the low-mids, warm and bass-forward. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 18 dB). A 2005 production that still circulates in sets. Darker than 99% of Four Tet's catalogue. In a set it works best as a warm-up or breakdown cut.
- Groove:
- less groove-driven than 95% of Four Tet's catalogue
- Energy:
- calmer than 93% of Four Tet's catalogue
- Low end:
- more treble-tilted than 91% of Four Tet's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 27%
- Low
- 30-130 Hz
- 39%
- Low-mid
- 130-570 Hz
- 27%
- Upper-mid
- 570 Hz-2.5 kHz
- 7%
- High
- 2.5-11 kHz
FAQ
What key is you were there with me in?
you were there with me by Four Tet is in G major, or 9B on the Camelot wheel.
What BPM is you were there with me?
you were there with me runs at 148 BPM, a fast track.
What mixes well with you were there with me?
From 9B it blends harmonically with 10B, 9A, 8B. Moving to 10B lifts the energy a step.
Is you were there with me good for peak time?
With energy 23 out of 100 at 148 BPM, it works best as a warm-up or breakdown cut.
Mixes harmonically
9B → 8B · 10B · 9AFrom 9B, 10B (D major) lifts the energy a step; 9A (E minor) settles into the relative minor; 8B (C major) cools the energy down a step.
How to mix it
In 9B at 148 BPM: 10B (D major) — move to 10B to push the floor harder; 9A (E minor) — switch to 9A for a mood change without losing the groove; 8B (C major) — drop to 8B to bring the room down gently.
Pitch range at ±6%: 139-157 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 4B rather than 9B; below -5% it reads as 2B. With key lock on, it stays 9B across the whole range.
Programming: a warm-up or breakdown cut — early set or after a peak to reset the room.
Similar tempo
Within ±3 BPM of 148 — beatmatch without a big tempo pull.
More downtempo
More from Four Tet
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 148 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
