and then patterns
30s preview
- BPM
- 150
- Half-time
- 75
- Open Key
- 7d
- Energy
- 42/100
- Pop
- 16/100
- Length
- 4:44
- Released
- 2005
- Album
- Everything Ecstatic
- Genre
- Downtempo
- Label
- Domino
- Loudness
- -13.8 dB
- Dynamics
- 16.4 dB
- ISRC
- GBCEL0400358
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
and then patterns: fast downtempo, F♯ major (2B), 150 BPM. Tonally it lands bright and easy. The groove is strong and floor-ready. It is vocal-led. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 16 dB). A 2005 production that still circulates in sets. Brighter than 99% of Four Tet's catalogue. For programming, treat it as a warm-up or breakdown cut.
- Groove:
- groovier than 92% of Four Tet's catalogue
- Tempo:
- faster than 90% of Four Tet's catalogue
- Energy:
- calmer than 79% of Four Tet's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 36%
- Low
- 30-130 Hz
- 29%
- Low-mid
- 130-570 Hz
- 21%
- Upper-mid
- 570 Hz-2.5 kHz
- 15%
- High
- 2.5-11 kHz
FAQ
What key is and then patterns in?
and then patterns by Four Tet is in F♯ major, or 2B on the Camelot wheel.
What BPM is and then patterns?
and then patterns runs at 150 BPM, a fast track.
What mixes well with and then patterns?
From 2B it blends harmonically with 3B, 2A, 1B. Moving to 3B lifts the energy a step.
Is and then patterns good for peak time?
With energy 42 out of 100 at 150 BPM, it works best as a warm-up or breakdown cut.
Mixes harmonically
2B → 1B · 3B · 2AFrom 2B, 3B (D♭ major) lifts the energy a step; 2A (E♭ minor) settles into the relative minor; 1B (B major) cools the energy down a step.
How to mix it
In 2B at 150 BPM: 3B (D♭ major) — move to 3B to push the floor harder; 2A (E♭ minor) — switch to 2A for a mood change without losing the groove; 1B (B major) — drop to 1B to bring the room down gently.
Pitch range at ±6%: 141-159 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 9B rather than 2B; below -5% it reads as 7B. With key lock on, it stays 2B across the whole range.
Programming: a warm-up or breakdown cut — early set or after a peak to reset the room.
Similar tempo
Within ±3 BPM of 150 — beatmatch without a big tempo pull.
More downtempo
More from Four Tet
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 150 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
