Lush by Four Tet cover art
Key
12A · D♭ minor
BPM
133
Open Key
5m
Energy
67/100
Pop
52/100
Length
5:12
Released
2017
Genre
Techno
Loudness
-10.5 dB
ISRC
GBXNG1744405

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

At 133 BPM in D♭ minor (12A), Lush is a peak-time tempo techno production. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. A 2017 production that still circulates in sets. Better known than 98% of Four Tet's catalogue. In a set it works best as a mid-set roller.

Brightness:
brighter than 82% of Four Tet's catalogue
Tempo:
faster than 81% of Four Tet's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy67
Mood64Balanced
Groove66
Acoustic83
Instrumental90
Live12
Speech3
brightrelaxedinstrumental

Frequency spectrum

amplitude · bass → treble

FAQ

What key is Lush in?

Lush by Four Tet is in D♭ minor, or 12A on the Camelot wheel.

What BPM is Lush?

Lush runs at 133 BPM, a peak-time tempo track.

What mixes well with Lush?

From 12A it blends harmonically with 1A, 12B, 11A. Moving to 1A lifts the energy a step.

Is Lush good for peak time?

With energy 67 out of 100 at 133 BPM, it works best as a mid-set roller.

Mixes harmonically

12A11A · 1A · 12B

From 12A, 1A (A♭ minor) lifts the energy a step; 12B (E major) brightens to the relative major; 11A (F♯ minor) cools the energy down a step.

Every move from 12A

1ASimple Mix Upper
11ASimple Mix Downer
12BTonal Shift·
1BDiagonal Mix Upper
11BDiagonal Mix Downer
9BCompatible Tone·
2AHigh Energy Boost▲▲▲
10AHigh Energy Drain▼▼▼
3AParallel Key Upper▲▲
9AParallel Key Downer▼▼
7ATritone Jump▲▲
4ARelated Keyrisky

How to mix it

In 12A at 133 BPM: 1A (A♭ minor) — move to 1A to push the floor harder; 12B (E major) — switch to 12B for a mood change without losing the groove; 11A (F♯ minor) — drop to 11A to bring the room down gently.

Pitch range at ±6%: 125-141 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 7A rather than 12A; below -5% it reads as 5A. With key lock on, it stays 12A across the whole range.

Programming: a mid-set roller.

Similar tempo

Within ±3 BPM of 133 — beatmatch without a big tempo pull.

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Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 133 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

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