Travel Slow
30s preview
- BPM
- 150
- Half-time
- 75
- Open Key
- 7m
- Energy
- 45/100
- Pop
- 0/100
- Length
- 3:42
- Released
- 2015
- Genre
- Dance Pop
- Loudness
- -11.2 dB
- Dynamics
- 14.7 dB
- ISRC
- GBMKA1486415
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Travel Slow runs 150 BPM in E♭ minor (2A), a fast dance pop record. The feel is dark and steady. Rhythmically it is built for the dancefloor. It is vocal-led. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 15 dB). A 2015 production that still circulates in sets. More underground than 99% of Elderbrook's catalogue. For programming, treat it as a high-intensity peak cut.
- Tempo:
- faster than 97% of Elderbrook's catalogue
- Energy:
- calmer than 83% of Elderbrook's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 34%
- Low
- 30-130 Hz
- 30%
- Low-mid
- 130-570 Hz
- 22%
- Upper-mid
- 570 Hz-2.5 kHz
- 13%
- High
- 2.5-11 kHz
FAQ
What key is Travel Slow in?
Travel Slow by Elderbrook is in E♭ minor, or 2A on the Camelot wheel.
What BPM is Travel Slow?
Travel Slow runs at 150 BPM, a fast track.
What mixes well with Travel Slow?
From 2A it blends harmonically with 3A, 2B, 1A. Moving to 3A lifts the energy a step.
Is Travel Slow good for peak time?
With energy 45 out of 100 at 150 BPM, it works best as a high-intensity peak cut.
Mixes harmonically
2A → 1A · 3A · 2BFrom 2A, 3A (B♭ minor) lifts the energy a step; 2B (F♯ major) brightens to the relative major; 1A (A♭ minor) cools the energy down a step.
![You & Me [Flume Remix] by Disclosure cover art](https://qzoszznbkkwwjtagnyok.supabase.co/storage/v1/object/public/dj-covers/29fe7148d88a9438e0ba.webp){kind=small}
How to mix it
In 2A at 150 BPM: 3A (B♭ minor) — move to 3A to push the floor harder; 2B (F♯ major) — switch to 2B for a mood change without losing the groove; 1A (A♭ minor) — drop to 1A to bring the room down gently.
Pitch range at ±6%: 141-159 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 9A rather than 2A; below -5% it reads as 7A. With key lock on, it stays 2A across the whole range.
Programming: a high-intensity peak cut.
Similar tempo
Within ±3 BPM of 150 — beatmatch without a big tempo pull.
More dance pop
More from Elderbrook
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 150 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
