REDLINE DASH by Skrillex cover art

REDLINE DASH

Skrillex

30s preview

Key
6A · G minor
BPM
150
Half-time
75
Open Key
11m
Energy
52/100
Pop
62/100
Length
1:17
Released
2025
Genre
Dubstep
Loudness
-5.5 dB
Dynamics
10.9 dB
ISRC
USAT22501809

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

REDLINE DASH is a fast dubstep track in G minor (6A) at 150 BPM. It is vocal-led. Its spectrum is weighted to the sub and kick, with a heavy low end. Calmer than 94% of Skrillex's catalogue. In a set it works best as a high-intensity peak cut.

Reach:
better known than 93% of Skrillex's catalogue
Brightness:
brighter than 91% of Skrillex's catalogue
Low end:
more bass-heavy than 84% of Skrillex's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy52
Mood71Bright
Groove75
Acoustic0
Instrumental0
Live57
Speech12

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
37%
Low
30-130 Hz
27%
Low-mid
130-570 Hz
22%
Upper-mid
570 Hz-2.5 kHz
14%
High
2.5-11 kHz

FAQ

What key is REDLINE DASH in?

REDLINE DASH by Skrillex is in G minor, or 6A on the Camelot wheel.

What BPM is REDLINE DASH?

REDLINE DASH runs at 150 BPM, a fast track.

What mixes well with REDLINE DASH?

From 6A it blends harmonically with 7A, 6B, 5A. Moving to 7A lifts the energy a step.

Is REDLINE DASH good for peak time?

With energy 52 out of 100 at 150 BPM, it works best as a high-intensity peak cut.

Mixes harmonically

6A5A · 7A · 6B

From 6A, 7A (D minor) lifts the energy a step; 6B (B♭ major) brightens to the relative major; 5A (C minor) cools the energy down a step.

#Track

Every move from 6A

7ASimple Mix Upper
5ASimple Mix Downer
6BTonal Shift·
7BDiagonal Mix Upper
5BDiagonal Mix Downer
3BCompatible Tone·
8AHigh Energy Boost▲▲▲
4AHigh Energy Drain▼▼▼
9AParallel Key Upper▲▲
3AParallel Key Downer▼▼
1ATritone Jump▲▲
10ARelated Keyrisky

How to mix it

In 6A at 150 BPM: 7A (D minor) — move to 7A to push the floor harder; 6B (B♭ major) — switch to 6B for a mood change without losing the groove; 5A (C minor) — drop to 5A to bring the room down gently.

Pitch range at ±6%: 141-159 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 1A rather than 6A; below -5% it reads as 11A. With key lock on, it stays 6A across the whole range.

Programming: a high-intensity peak cut.

Similar tempo

Within ±3 BPM of 150 — beatmatch without a big tempo pull.

#Track

More dubstep

#Track

More from Skrillex

Full profile
#Track

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 150 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#Track