Killa (Boombox Cartel & Aryay remix)
- BPM
- 75
- Double-time
- 150
- Open Key
- 3d
- Energy
- 89/100
- Pop
- 38/100
- Length
- 3:33
- Released
- 2016
- Genre
- Dubstep
- Loudness
- -5.0 dB
- ISRC
- USAT21602139
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Killa (feat. Elliphant) - Boombox Cartel & Aryay Remixremix4B · 160
- Killa (feat. Elliphant) - Henry Fong Remixremix1B · 130
- Killa (feat. Elliphant) - QUEST Remixremix4A · 150
Killa (Boombox Cartel & Aryay remix): dubstep, D major (10B), 75 BPM. It reads as dark and driving. It is vocal-led. Its spectrum is weighted to the sub and kick, with a heavy low end. A 2016 production that still circulates in sets. Slower than 99% of Skrillex's catalogue. For programming, treat it as a high-intensity peak cut.
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 33%
- Low
- 30-130 Hz
- 26%
- Low-mid
- 130-570 Hz
- 23%
- Upper-mid
- 570 Hz-2.5 kHz
- 19%
- High
- 2.5-11 kHz
FAQ
What key is Killa (Boombox Cartel & Aryay remix) in?
Killa (Boombox Cartel & Aryay remix) by Skrillex is in D major, or 10B on the Camelot wheel.
What BPM is Killa (Boombox Cartel & Aryay remix)?
Killa (Boombox Cartel & Aryay remix) runs at 75 BPM.
What mixes well with Killa (Boombox Cartel & Aryay remix)?
From 10B it blends harmonically with 11B, 10A, 9B. Moving to 11B lifts the energy a step.
Is Killa (Boombox Cartel & Aryay remix) good for peak time?
With energy 89 out of 100 at 75 BPM, it works best as a high-intensity peak cut.
Mixes harmonically
10B → 9B · 11B · 10AFrom 10B, 11B (A major) lifts the energy a step; 10A (B minor) settles into the relative minor; 9B (G major) cools the energy down a step.
How to mix it
In 10B at 75 BPM: 11B (A major) — move to 11B to push the floor harder; 10A (B minor) — switch to 10A for a mood change without losing the groove; 9B (G major) — drop to 9B to bring the room down gently.
Pitch range at ±6%: 70-80 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5B rather than 10B; below -5% it reads as 3B. With key lock on, it stays 10B across the whole range.
Programming: a high-intensity peak cut.
Similar tempo
Within ±3 BPM of 75 — beatmatch without a big tempo pull.
More dubstep
More from Skrillex
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 75 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
