Febreze (feat. 2 Chainz)
30s preview
- BPM
- 150
- Half-time
- 75
- Open Key
- 3d
- Energy
- 98/100
- Pop
- 48/100
- Length
- 3:34
- Released
- 2015
- Album
- Skrillex and Diplo present Jack Ü
- Genre
- Dubstep
- Loudness
- -3.5 dB
- Dynamics
- 10.5 dB
- ISRC
- USAT21500550
- Explicit
- Yes
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
A fast dubstep cut, Febreze (feat. 2 Chainz) sits in D major (10B) at 150 BPM. It reads as dark and driving. It is vocal-led. Spoken-word passages run through it. Its spectrum is weighted to the sub and kick, with a heavy low end. The master is loud and heavily compressed. A 2015 production that still circulates in sets. Hotter than 97% of Skrillex's catalogue. In a set it works best as a high-intensity peak cut.
- Reach:
- better known than 76% of Skrillex's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 32%
- Low
- 30-130 Hz
- 27%
- Low-mid
- 130-570 Hz
- 23%
- Upper-mid
- 570 Hz-2.5 kHz
- 17%
- High
- 2.5-11 kHz
FAQ
What key is Febreze (feat. 2 Chainz) in?
Febreze (feat. 2 Chainz) by Skrillex is in D major, or 10B on the Camelot wheel.
What BPM is Febreze (feat. 2 Chainz)?
Febreze (feat. 2 Chainz) runs at 150 BPM, a fast track.
What mixes well with Febreze (feat. 2 Chainz)?
From 10B it blends harmonically with 11B, 10A, 9B. Moving to 11B lifts the energy a step.
Is Febreze (feat. 2 Chainz) good for peak time?
With energy 98 out of 100 at 150 BPM, it works best as a high-intensity peak cut.
Mixes harmonically
10B → 9B · 11B · 10AFrom 10B, 11B (A major) lifts the energy a step; 10A (B minor) settles into the relative minor; 9B (G major) cools the energy down a step.
How to mix it
In 10B at 150 BPM: 11B (A major) — move to 11B to push the floor harder; 10A (B minor) — switch to 10A for a mood change without losing the groove; 9B (G major) — drop to 9B to bring the room down gently.
Pitch range at ±6%: 141-159 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5B rather than 10B; below -5% it reads as 3B. With key lock on, it stays 10B across the whole range.
Programming: a high-intensity peak cut.
Similar tempo
Within ±3 BPM of 150 — beatmatch without a big tempo pull.
More dubstep
More from Skrillex
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 150 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
