Ease My Mind (feat. Niki and the Dove) - GTA Remix by Skrillex cover art

Ease My Mind (feat. Niki and the Dove) - GTA Remix

Skrillex

30s preview

Key
12A · D♭ minor
BPM
150
Half-time
75
Open Key
5m
Energy
78/100
Pop
24/100
Length
4:42
Released
2014
Album
Ease My Mind v Ragga Bomb Remixes
Genre
Dubstep
Loudness
-5.0 dB
Dynamics
13.9 dB
ISRC
USAT21404400

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Other versions

Against the original (1A at 150 BPM), this version holds the same tempo and moves the key from 1A to 12A.

Ease My Mind (feat. Niki and the Dove) - GTA Remix: fast dubstep, D♭ minor (12A), 150 BPM. The feel is bright and euphoric. It is vocal-led. The master keeps unusual dynamic range for club music (crest 14 dB). A 2014 production that still circulates in sets. Brighter than 92% of Skrillex's catalogue. In a set it works best as a high-intensity peak cut.

Low end:
more treble-tilted than 80% of Skrillex's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy78
Mood72Bright
Groove58
Acoustic18
Instrumental0
Live7
Speech8

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
31%
Low
30-130 Hz
28%
Low-mid
130-570 Hz
23%
Upper-mid
570 Hz-2.5 kHz
17%
High
2.5-11 kHz

FAQ

What key is Ease My Mind (feat. Niki and the Dove) - GTA Remix in?

Ease My Mind (feat. Niki and the Dove) - GTA Remix by Skrillex is in D♭ minor, or 12A on the Camelot wheel.

What BPM is Ease My Mind (feat. Niki and the Dove) - GTA Remix?

Ease My Mind (feat. Niki and the Dove) - GTA Remix runs at 150 BPM, a fast track.

What mixes well with Ease My Mind (feat. Niki and the Dove) - GTA Remix?

From 12A it blends harmonically with 1A, 12B, 11A. Moving to 1A lifts the energy a step.

Is Ease My Mind (feat. Niki and the Dove) - GTA Remix good for peak time?

With energy 78 out of 100 at 150 BPM, it works best as a high-intensity peak cut.

Mixes harmonically

12A11A · 1A · 12B

From 12A, 1A (A♭ minor) lifts the energy a step; 12B (E major) brightens to the relative major; 11A (F♯ minor) cools the energy down a step.

Every move from 12A

1ASimple Mix Upper
11ASimple Mix Downer
12BTonal Shift·
1BDiagonal Mix Upper
11BDiagonal Mix Downer
9BCompatible Tone·
2AHigh Energy Boost▲▲▲
10AHigh Energy Drain▼▼▼
3AParallel Key Upper▲▲
9AParallel Key Downer▼▼
7ATritone Jump▲▲
4ARelated Keyrisky

How to mix it

In 12A at 150 BPM: 1A (A♭ minor) — move to 1A to push the floor harder; 12B (E major) — switch to 12B for a mood change without losing the groove; 11A (F♯ minor) — drop to 11A to bring the room down gently.

Pitch range at ±6%: 141-159 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 7A rather than 12A; below -5% it reads as 5A. With key lock on, it stays 12A across the whole range.

Programming: a high-intensity peak cut.

Similar tempo

Within ±3 BPM of 150 — beatmatch without a big tempo pull.

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Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 150 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

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