Last Jungle
- Key
- 4A · F minor
- BPM
- 145
- Half-time
- 73
- Open Key
- 9m
- Energy
- 76/100
- Pop
- 49/100
- Length
- 3:39
- Released
- 2009
- Genre
- Drum N Bass
- Loudness
- -7.4 dB
- ISRC
- GBBZH0901304
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Last Jungle (Camo & Krooked & Mefjus Remix)remix4A · 175
- Last Jungleoriginal4A · 145
Last Jungle runs 145 BPM in F minor (4A), a driving up-tempo drum n bass record. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. A 2009 production that still circulates in sets. Calmer than 90% of Sub Focus's catalogue. In a set it works best as a high-intensity peak cut.
- Brightness:
- darker than 90% of Sub Focus's catalogue
- Reach:
- better known than 87% of Sub Focus's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Last Jungle in?
Last Jungle by Sub Focus is in F minor, or 4A on the Camelot wheel.
What BPM is Last Jungle?
Last Jungle runs at 145 BPM, a driving up-tempo track.
What mixes well with Last Jungle?
From 4A it blends harmonically with 5A, 4B, 3A. Moving to 5A lifts the energy a step.
Is Last Jungle good for peak time?
With energy 76 out of 100 at 145 BPM, it works best as a high-intensity peak cut.
Mixes harmonically
4A → 3A · 5A · 4BFrom 4A, 5A (C minor) lifts the energy a step; 4B (A♭ major) brightens to the relative major; 3A (B♭ minor) cools the energy down a step.
How to mix it
In 4A at 145 BPM: 5A (C minor) — move to 5A to push the floor harder; 4B (A♭ major) — switch to 4B for a mood change without losing the groove; 3A (B♭ minor) — drop to 3A to bring the room down gently.
Pitch range at ±6%: 136-154 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 11A rather than 4A; below -5% it reads as 9A. With key lock on, it stays 4A across the whole range.
Programming: a high-intensity peak cut.
Similar tempo
Within ±3 BPM of 145 — beatmatch without a big tempo pull.
More drum n bass
More from Sub Focus
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 145 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
