Bias - Mayfield Depot Mix
30s preview
- BPM
- 146
- Half-time
- 73
- Open Key
- 4m
- Energy
- 81/100
- Pop
- 22/100
- Length
- 10:42
- Released
- 2020
- Album
- Bias
- Genre
- Techno
- Label
- Ninja Tune
- Loudness
- -8.3 dB
- Dynamics
- 16.2 dB
- ISRC
- GBCFB2000009
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Biasoriginal12A · 146
- Biasoriginal12A · 146
- Bias - Extendedversion11A · 146
Bias - Mayfield Depot Mix: fast techno, F♯ minor (11A), 146 BPM. Tonally it lands punchy, neutral in mood. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 16 dB). Faster than 85% of Floating Points's catalogue. For programming, treat it as a high-intensity peak cut.
- Energy:
- hotter than 84% of Floating Points's catalogue
- Low end:
- more bass-heavy than 83% of Floating Points's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 43%
- Low
- 30-130 Hz
- 31%
- Low-mid
- 130-570 Hz
- 24%
- Upper-mid
- 570 Hz-2.5 kHz
- 2%
- High
- 2.5-11 kHz
FAQ
What key is Bias - Mayfield Depot Mix in?
Bias - Mayfield Depot Mix by Floating Points is in F♯ minor, or 11A on the Camelot wheel.
What BPM is Bias - Mayfield Depot Mix?
Bias - Mayfield Depot Mix runs at 146 BPM, a fast track.
What mixes well with Bias - Mayfield Depot Mix?
From 11A it blends harmonically with 12A, 11B, 10A. Moving to 12A lifts the energy a step.
Is Bias - Mayfield Depot Mix good for peak time?
With energy 81 out of 100 at 146 BPM, it works best as a high-intensity peak cut.
Mixes harmonically
11A → 10A · 12A · 11BFrom 11A, 12A (D♭ minor) lifts the energy a step; 11B (A major) brightens to the relative major; 10A (B minor) cools the energy down a step.
How to mix it
In 11A at 146 BPM: 12A (D♭ minor) — move to 12A to push the floor harder; 11B (A major) — switch to 11B for a mood change without losing the groove; 10A (B minor) — drop to 10A to bring the room down gently.
Pitch range at ±6%: 137-155 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 6A rather than 11A; below -5% it reads as 4A. With key lock on, it stays 11A across the whole range.
Programming: a high-intensity peak cut.
Similar tempo
Within ±3 BPM of 146 — beatmatch without a big tempo pull.
More techno
More from Floating Points
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 146 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
