Order 1081 (feat. Natalie Merchant)
30s preview
- Key
- 7A · D minor
- BPM
- 75
- Double-time
- 150
- Open Key
- 12m
- Energy
- 51/100
- Pop
- 7/100
- Length
- 5:47
- Released
- 2010
- Album
- Here Lies Love
- Genre
- Big Beat
- Label
- Nonesuch
- Loudness
- -8.8 dB
- Dynamics
- 12.9 dB
- ISRC
- USNO10900362
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Order 1081original7A · 150
- Order 1081 (feat. Natalie Merchant) - 2023 Remasteroriginal7A · 75
Order 1081 (feat. Natalie Merchant): big beat, D minor (7A), 75 BPM. The feel is balanced in mood. It is vocal-led. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 13 dB). A 2010 production that still circulates in sets. Slower than 99% of Fatboy Slim's catalogue. In a set it works best as a high-intensity peak cut.
- Energy:
- calmer than 93% of Fatboy Slim's catalogue
- Groove:
- less groove-driven than 91% of Fatboy Slim's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 33%
- Low
- 30-130 Hz
- 30%
- Low-mid
- 130-570 Hz
- 23%
- Upper-mid
- 570 Hz-2.5 kHz
- 14%
- High
- 2.5-11 kHz
FAQ
What key is Order 1081 (feat. Natalie Merchant) in?
Order 1081 (feat. Natalie Merchant) by Fatboy Slim is in D minor, or 7A on the Camelot wheel.
What BPM is Order 1081 (feat. Natalie Merchant)?
Order 1081 (feat. Natalie Merchant) runs at 75 BPM.
What mixes well with Order 1081 (feat. Natalie Merchant)?
From 7A it blends harmonically with 8A, 7B, 6A. Moving to 8A lifts the energy a step.
Is Order 1081 (feat. Natalie Merchant) good for peak time?
With energy 51 out of 100 at 75 BPM, it works best as a high-intensity peak cut.
Mixes harmonically
7A → 6A · 8A · 7BFrom 7A, 8A (A minor) lifts the energy a step; 7B (F major) brightens to the relative major; 6A (G minor) cools the energy down a step.
How to mix it
In 7A at 75 BPM: 8A (A minor) — move to 8A to push the floor harder; 7B (F major) — switch to 7B for a mood change without losing the groove; 6A (G minor) — drop to 6A to bring the room down gently.
Pitch range at ±6%: 70-80 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 2A rather than 7A; below -5% it reads as 12A. With key lock on, it stays 7A across the whole range.
Programming: a high-intensity peak cut.
Similar tempo
Within ±3 BPM of 75 — beatmatch without a big tempo pull.
More big beat
More from Fatboy Slim
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 75 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
