To Where Dreams Are
30s preview
- BPM
- 74
- Double-time
- 148
- Open Key
- 3d
- Energy
- 38/100
- Pop
- 21/100
- Length
- 4:06
- Released
- 2023
- Album
- Reflections 07
- Genre
- Progressive Trance
- Loudness
- -11.8 dB
- Dynamics
- 11.3 dB
- ISRC
- GBEWA2305850
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
A progressive trance cut, To Where Dreams Are sits in D major (10B) at 74 BPM. It reads as brooding and low-slung. The groove is loose and less beat-driven. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 11 dB). Slower than 99% of Nourey's catalogue. For programming, treat it as a warm-up or breakdown cut.
- Groove:
- less groove-driven than 99% of Nourey's catalogue
- Energy:
- calmer than 95% of Nourey's catalogue
- Reach:
- better known than 93% of Nourey's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 34%
- Low
- 30-130 Hz
- 30%
- Low-mid
- 130-570 Hz
- 24%
- Upper-mid
- 570 Hz-2.5 kHz
- 12%
- High
- 2.5-11 kHz
FAQ
What key is To Where Dreams Are in?
To Where Dreams Are by Nourey is in D major, or 10B on the Camelot wheel.
What BPM is To Where Dreams Are?
To Where Dreams Are runs at 74 BPM.
What mixes well with To Where Dreams Are?
From 10B it blends harmonically with 11B, 10A, 9B. Moving to 11B lifts the energy a step.
Is To Where Dreams Are good for peak time?
With energy 38 out of 100 at 74 BPM, it works best as a warm-up or breakdown cut.
Mixes harmonically
10B → 9B · 11B · 10AFrom 10B, 11B (A major) lifts the energy a step; 10A (B minor) settles into the relative minor; 9B (G major) cools the energy down a step.
How to mix it
In 10B at 74 BPM: 11B (A major) — move to 11B to push the floor harder; 10A (B minor) — switch to 10A for a mood change without losing the groove; 9B (G major) — drop to 9B to bring the room down gently.
Pitch range at ±6%: 70-78 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5B rather than 10B; below -5% it reads as 3B. With key lock on, it stays 10B across the whole range.
Programming: a warm-up or breakdown cut — early set or after a peak to reset the room.
Similar tempo
Within ±3 BPM of 74 — beatmatch without a big tempo pull.
More progressive trance
More from Nourey
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 74 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
