acoustic closest ever
30s preview
- Key
- 7A · D minor
- BPM
- 75
- Double-time
- 150
- Open Key
- 12m
- Energy
- 35/100
- Pop
- 0/100
- Length
- 4:42
- Released
- 2021
- Genre
- Neo Trance
- Loudness
- -16.7 dB
- Dynamics
- 18.4 dB
- ISRC
- DEY472170702
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
At 75 BPM in D minor (7A), acoustic closest ever is a neo trance production. It reads as brooding and low-slung. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 18 dB). Slower than 99% of GHEIST's catalogue. For programming, treat it as a warm-up or breakdown cut.
- Reach:
- more underground than 99% of GHEIST's catalogue
- Energy:
- calmer than 96% of GHEIST's catalogue
- Groove:
- less groove-driven than 94% of GHEIST's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 35%
- Low
- 30-130 Hz
- 33%
- Low-mid
- 130-570 Hz
- 23%
- Upper-mid
- 570 Hz-2.5 kHz
- 9%
- High
- 2.5-11 kHz
FAQ
What key is acoustic closest ever in?
acoustic closest ever by GHEIST is in D minor, or 7A on the Camelot wheel.
What BPM is acoustic closest ever?
acoustic closest ever runs at 75 BPM.
What mixes well with acoustic closest ever?
From 7A it blends harmonically with 8A, 7B, 6A. Moving to 8A lifts the energy a step.
Is acoustic closest ever good for peak time?
With energy 35 out of 100 at 75 BPM, it works best as a warm-up or breakdown cut.
Mixes harmonically
7A → 6A · 8A · 7BFrom 7A, 8A (A minor) lifts the energy a step; 7B (F major) brightens to the relative major; 6A (G minor) cools the energy down a step.
How to mix it
In 7A at 75 BPM: 8A (A minor) — move to 8A to push the floor harder; 7B (F major) — switch to 7B for a mood change without losing the groove; 6A (G minor) — drop to 6A to bring the room down gently.
Pitch range at ±6%: 70-80 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 2A rather than 7A; below -5% it reads as 12A. With key lock on, it stays 7A across the whole range.
Programming: a warm-up or breakdown cut — early set or after a peak to reset the room.
Similar tempo
Within ±3 BPM of 75 — beatmatch without a big tempo pull.
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Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 75 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
