Illumination by Fejká cover art

Illumination

Fejká

Key
4A · F minor
BPM
140
Half-time
70
Open Key
9m
Energy
49/100
Pop
34/100
Length
5:14
Released
2017
Genre
Progressive House
Loudness
-13.6 dB

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

A driving up-tempo progressive house cut, Illumination sits in F minor (4A) at 140 BPM. Tonally it lands dark and steady. The groove is loose and less beat-driven. The mix is almost entirely instrumental. The timbre leans dark. The master keeps real dynamic headroom. A 2017 production that still circulates in sets. Faster than 97% of Fejká's catalogue. For programming, treat it as a high-intensity peak cut.

Groove:
less groove-driven than 90% of Fejká's catalogue
Energy:
calmer than 86% of Fejká's catalogue
Brightness:
brighter than 79% of Fejká's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy49
Mood19Dark
Groove45
Acoustic79
Instrumental83
Live37
Speech4
darkrelaxedinstrumental

Frequency spectrum

amplitude · bass → treble

FAQ

What key is Illumination in?

Illumination by Fejká is in F minor, or 4A on the Camelot wheel.

What BPM is Illumination?

Illumination runs at 140 BPM, a driving up-tempo track.

What mixes well with Illumination?

From 4A it blends harmonically with 5A, 4B, 3A. Moving to 5A lifts the energy a step.

Is Illumination good for peak time?

With energy 49 out of 100 at 140 BPM, it works best as a high-intensity peak cut.

Mixes harmonically

4A3A · 5A · 4B

From 4A, 5A (C minor) lifts the energy a step; 4B (A♭ major) brightens to the relative major; 3A (B♭ minor) cools the energy down a step.

Every move from 4A

5ASimple Mix Upper
3ASimple Mix Downer
4BTonal Shift·
5BDiagonal Mix Upper
3BDiagonal Mix Downer
1BCompatible Tone·
6AHigh Energy Boost▲▲▲
2AHigh Energy Drain▼▼▼
7AParallel Key Upper▲▲
1AParallel Key Downer▼▼
11ATritone Jump▲▲
8ARelated Keyrisky

How to mix it

In 4A at 140 BPM: 5A (C minor) — move to 5A to push the floor harder; 4B (A♭ major) — switch to 4B for a mood change without losing the groove; 3A (B♭ minor) — drop to 3A to bring the room down gently.

Pitch range at ±6%: 132-148 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 11A rather than 4A; below -5% it reads as 9A. With key lock on, it stays 4A across the whole range.

Programming: a high-intensity peak cut.

Similar tempo

Within ±3 BPM of 140 — beatmatch without a big tempo pull.

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Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 140 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

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