Ocean - feat. Jamie Foxx - DJ Koze Remix
30s preview
- BPM
- 156
- Half-time
- 78
- Open Key
- 8m
- Energy
- 76/100
- Pop
- 5/100
- Length
- 5:13
- Released
- 2022
- Album
- Nobody Is Not Loved, Remixes, Pt. 2
- Genre
- Minimal
- Loudness
- -7.5 dB
- Dynamics
- 11.1 dB
- ISRC
- DELV42200329
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Ocean - feat. Jamie Foxx - DJ Koze Instrumental Remixremix3B · 158
- Oceanoriginal3A · 123
- Ocean (feat. Jamie Foxx) - Moodymann & Amp Fiddler Extended Remixremix4B · 123
Against the original (3A at 123 BPM), this version runs 33 BPM faster in the same key.
Ocean - feat. Jamie Foxx - DJ Koze Remix runs 156 BPM in B♭ minor (3A), a fast minimal record. It reads as punchy, neutral in mood. It leans atmospheric over strictly danceable. It is vocal-led. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 11 dB). Faster than 99% of Solomun's catalogue. For programming, treat it as a high-intensity peak cut.
- Groove:
- less groove-driven than 99% of Solomun's catalogue
- Brightness:
- brighter than 83% of Solomun's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 36%
- Low
- 30-130 Hz
- 29%
- Low-mid
- 130-570 Hz
- 21%
- Upper-mid
- 570 Hz-2.5 kHz
- 15%
- High
- 2.5-11 kHz
FAQ
What key is Ocean - feat. Jamie Foxx - DJ Koze Remix in?
Ocean - feat. Jamie Foxx - DJ Koze Remix by Solomun is in B♭ minor, or 3A on the Camelot wheel.
What BPM is Ocean - feat. Jamie Foxx - DJ Koze Remix?
Ocean - feat. Jamie Foxx - DJ Koze Remix runs at 156 BPM, a fast track.
What mixes well with Ocean - feat. Jamie Foxx - DJ Koze Remix?
From 3A it blends harmonically with 4A, 3B, 2A. Moving to 4A lifts the energy a step.
Is Ocean - feat. Jamie Foxx - DJ Koze Remix good for peak time?
With energy 76 out of 100 at 156 BPM, it works best as a high-intensity peak cut.
Mixes harmonically
3A → 2A · 4A · 3BFrom 3A, 4A (F minor) lifts the energy a step; 3B (D♭ major) brightens to the relative major; 2A (E♭ minor) cools the energy down a step.
How to mix it
In 3A at 156 BPM: 4A (F minor) — move to 4A to push the floor harder; 3B (D♭ major) — switch to 3B for a mood change without losing the groove; 2A (E♭ minor) — drop to 2A to bring the room down gently.
Pitch range at ±6%: 147-165 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10A rather than 3A; below -5% it reads as 8A. With key lock on, it stays 3A across the whole range.
Programming: a high-intensity peak cut.
Similar tempo
Within ±3 BPM of 156 — beatmatch without a big tempo pull.
More minimal
More from Solomun
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 156 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
