Flux Three - Original Mix by Rich NxT cover art

Flux Three - Original Mix

Rich NxT

Key
3B · D♭ major
BPM
160
Half-time
80
Open Key
8d
Energy
48/100
Pop
0/100
Length
5:36
Released
2013
Album
Substanance EP
Genre
Minimal
Loudness
-10.6 dB
ISRC
GBT9R1300044

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Flux Three - Original Mix is a very fast minimal track in D♭ major (3B) at 160 BPM. The feel is dark and steady. The mix is almost entirely instrumental. The master keeps real dynamic headroom. A 2013 production that still circulates in sets. Faster than 99% of Rich NxT's catalogue. In a set it works best as a high-intensity peak cut.

Groove:
less groove-driven than 99% of Rich NxT's catalogue
Reach:
more underground than 99% of Rich NxT's catalogue
Energy:
calmer than 92% of Rich NxT's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy48
Mood32Dark
Groove49
Acoustic0
Instrumental94
Live7
Speech13

Frequency spectrum

amplitude · bass → treble

FAQ

What key is Flux Three - Original Mix in?

Flux Three - Original Mix by Rich NxT is in D♭ major, or 3B on the Camelot wheel.

What BPM is Flux Three - Original Mix?

Flux Three - Original Mix runs at 160 BPM, a very fast track.

What mixes well with Flux Three - Original Mix?

From 3B it blends harmonically with 4B, 3A, 2B. Moving to 4B lifts the energy a step.

Is Flux Three - Original Mix good for peak time?

With energy 48 out of 100 at 160 BPM, it works best as a high-intensity peak cut.

Mixes harmonically

3B2B · 4B · 3A

From 3B, 4B (A♭ major) lifts the energy a step; 3A (B♭ minor) settles into the relative minor; 2B (F♯ major) cools the energy down a step.

Every move from 3B

4BSimple Mix Upper
2BSimple Mix Downer
3ATonal Shift·
4ADiagonal Mix Upper
2ADiagonal Mix Downer
6ACompatible Tone·
5BHigh Energy Boost▲▲▲
1BHigh Energy Drain▼▼▼
6BParallel Key Upper▲▲
12BParallel Key Downer▼▼
10BTritone Jump▲▲
7BRelated Keyrisky

How to mix it

In 3B at 160 BPM: 4B (A♭ major) — move to 4B to push the floor harder; 3A (B♭ minor) — switch to 3A for a mood change without losing the groove; 2B (F♯ major) — drop to 2B to bring the room down gently.

Pitch range at ±6%: 150-170 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10B rather than 3B; below -5% it reads as 8B. With key lock on, it stays 3B across the whole range.

Programming: a high-intensity peak cut.

Similar tempo

Within ±3 BPM of 160 — beatmatch without a big tempo pull.

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Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 160 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

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