Last Call for the Bayou
30s preview
- Key
- 4A · F minor
- BPM
- 164
- Half-time
- 82
- Open Key
- 9m
- Energy
- 50/100
- Pop
- 1/100
- Length
- 9:10
- Released
- 2021
- Genre
- Minimal
- Loudness
- -10.5 dB
- Dynamics
- 10.9 dB
- ISRC
- US83Z2142233
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
At 164 BPM in F minor (4A), Last Call for the Bayou is a very fast minimal production. The feel is balanced in mood. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. Faster than 99% of Sydka's catalogue. For programming, treat it as a high-intensity peak cut.
- Low end:
- more bass-heavy than 94% of Sydka's catalogue
- Brightness:
- brighter than 86% of Sydka's catalogue
- Reach:
- more underground than 79% of Sydka's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 50%
- Low
- 30-130 Hz
- 33%
- Low-mid
- 130-570 Hz
- 14%
- Upper-mid
- 570 Hz-2.5 kHz
- 3%
- High
- 2.5-11 kHz
FAQ
What key is Last Call for the Bayou in?
Last Call for the Bayou by Sydka is in F minor, or 4A on the Camelot wheel.
What BPM is Last Call for the Bayou?
Last Call for the Bayou runs at 164 BPM, a very fast track.
What mixes well with Last Call for the Bayou?
From 4A it blends harmonically with 5A, 4B, 3A. Moving to 5A lifts the energy a step.
Is Last Call for the Bayou good for peak time?
With energy 50 out of 100 at 164 BPM, it works best as a high-intensity peak cut.
Mixes harmonically
4A → 3A · 5A · 4BFrom 4A, 5A (C minor) lifts the energy a step; 4B (A♭ major) brightens to the relative major; 3A (B♭ minor) cools the energy down a step.
How to mix it
In 4A at 164 BPM: 5A (C minor) — move to 5A to push the floor harder; 4B (A♭ major) — switch to 4B for a mood change without losing the groove; 3A (B♭ minor) — drop to 3A to bring the room down gently.
Pitch range at ±6%: 154-174 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 11A rather than 4A; below -5% it reads as 9A. With key lock on, it stays 4A across the whole range.
Programming: a high-intensity peak cut.
Similar tempo
Within ±3 BPM of 164 — beatmatch without a big tempo pull.
More minimal
More from Sydka
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 164 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
