Les Enfants
30s preview
- Key
- 8B · C major
- BPM
- 168
- Half-time
- 84
- Open Key
- 1d
- Energy
- 56/100
- Pop
- 0/100
- Length
- 4:04
- Released
- 2009
- Genre
- Minimal
- Loudness
- -11.7 dB
- Dynamics
- 10.9 dB
- ISRC
- DEU670800171
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Les Enfants: very fast minimal, C major (8B), 168 BPM. It reads as balanced in mood. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. A 2009 production that still circulates in sets. Faster than 99% of Gui Boratto's catalogue. In a set it works best as a high-intensity peak cut.
- Reach:
- more underground than 99% of Gui Boratto's catalogue
- Groove:
- less groove-driven than 97% of Gui Boratto's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 37%
- Low
- 30-130 Hz
- 32%
- Low-mid
- 130-570 Hz
- 21%
- Upper-mid
- 570 Hz-2.5 kHz
- 9%
- High
- 2.5-11 kHz
FAQ
What key is Les Enfants in?
Les Enfants by Gui Boratto is in C major, or 8B on the Camelot wheel.
What BPM is Les Enfants?
Les Enfants runs at 168 BPM, a very fast track.
What mixes well with Les Enfants?
From 8B it blends harmonically with 9B, 8A, 7B. Moving to 9B lifts the energy a step.
Is Les Enfants good for peak time?
With energy 56 out of 100 at 168 BPM, it works best as a high-intensity peak cut.
Mixes harmonically
8B → 7B · 9B · 8AFrom 8B, 9B (G major) lifts the energy a step; 8A (A minor) settles into the relative minor; 7B (F major) cools the energy down a step.
How to mix it
In 8B at 168 BPM: 9B (G major) — move to 9B to push the floor harder; 8A (A minor) — switch to 8A for a mood change without losing the groove; 7B (F major) — drop to 7B to bring the room down gently.
Pitch range at ±6%: 158-178 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 3B rather than 8B; below -5% it reads as 1B. With key lock on, it stays 8B across the whole range.
Programming: a high-intensity peak cut.
Similar tempo
Within ±3 BPM of 168 — beatmatch without a big tempo pull.
More minimal
More from Gui Boratto
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 168 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
