Snowflake - Live at Roskilde 2007
30s preview
- Key
- 9B · G major
- BPM
- 168
- Half-time
- 84
- Open Key
- 2d
- Energy
- 63/100
- Pop
- 0/100
- Length
- 8:03
- Released
- 2008
- Album
- Live in Concert EP - Roskilde Festival 2007
- Genre
- Minimal
- Loudness
- -11.5 dB
- Dynamics
- 12.3 dB
- ISRC
- DEL020820038
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
Against the original (9B at 168 BPM), this version holds the same tempo in the same key.
A very fast minimal cut, Snowflake - Live at Roskilde 2007 sits in G major (9B) at 168 BPM. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 12 dB). A 2008 production that still circulates in sets. More underground than 99% of Trentemøller's catalogue. In a set it works best as a high-intensity peak cut.
- Tempo:
- faster than 93% of Trentemøller's catalogue
- Brightness:
- darker than 75% of Trentemøller's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 37%
- Low
- 30-130 Hz
- 27%
- Low-mid
- 130-570 Hz
- 22%
- Upper-mid
- 570 Hz-2.5 kHz
- 13%
- High
- 2.5-11 kHz
FAQ
What key is Snowflake - Live at Roskilde 2007 in?
Snowflake - Live at Roskilde 2007 by Trentemøller is in G major, or 9B on the Camelot wheel.
What BPM is Snowflake - Live at Roskilde 2007?
Snowflake - Live at Roskilde 2007 runs at 168 BPM, a very fast track.
What mixes well with Snowflake - Live at Roskilde 2007?
From 9B it blends harmonically with 10B, 9A, 8B. Moving to 10B lifts the energy a step.
Is Snowflake - Live at Roskilde 2007 good for peak time?
With energy 63 out of 100 at 168 BPM, it works best as a high-intensity peak cut.
Mixes harmonically
9B → 8B · 10B · 9AFrom 9B, 10B (D major) lifts the energy a step; 9A (E minor) settles into the relative minor; 8B (C major) cools the energy down a step.
How to mix it
In 9B at 168 BPM: 10B (D major) — move to 10B to push the floor harder; 9A (E minor) — switch to 9A for a mood change without losing the groove; 8B (C major) — drop to 8B to bring the room down gently.
Pitch range at ±6%: 158-178 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 4B rather than 9B; below -5% it reads as 2B. With key lock on, it stays 9B across the whole range.
Programming: a high-intensity peak cut.
Similar tempo
Within ±3 BPM of 168 — beatmatch without a big tempo pull.
More minimal
More from Trentemøller
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 168 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
