Lego
30s preview
- Key
- 4A · F minor
- BPM
- 164
- Half-time
- 82
- Open Key
- 9m
- Energy
- 81/100
- Pop
- 0/100
- Length
- 3:02
- Released
- 2005
- Genre
- Minimal
- Loudness
- -13.4 dB
- Dynamics
- 13.6 dB
- ISRC
- GBR8R2500224
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
A very fast minimal cut, Lego sits in F minor (4A) at 164 BPM. It reads as dark and driving. It leans atmospheric over strictly danceable. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 14 dB). A 2005 production that still circulates in sets. Less groove-driven than 99% of Chris Liebing's catalogue. For programming, treat it as a high-intensity peak cut.
- Reach:
- more underground than 99% of Chris Liebing's catalogue
- Tempo:
- faster than 98% of Chris Liebing's catalogue
- Brightness:
- darker than 87% of Chris Liebing's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 37%
- Low
- 30-130 Hz
- 27%
- Low-mid
- 130-570 Hz
- 21%
- Upper-mid
- 570 Hz-2.5 kHz
- 15%
- High
- 2.5-11 kHz
FAQ
What key is Lego in?
Lego by Chris Liebing is in F minor, or 4A on the Camelot wheel.
What BPM is Lego?
Lego runs at 164 BPM, a very fast track.
What mixes well with Lego?
From 4A it blends harmonically with 5A, 4B, 3A. Moving to 5A lifts the energy a step.
Is Lego good for peak time?
With energy 81 out of 100 at 164 BPM, it works best as a high-intensity peak cut.
Mixes harmonically
4A → 3A · 5A · 4BFrom 4A, 5A (C minor) lifts the energy a step; 4B (A♭ major) brightens to the relative major; 3A (B♭ minor) cools the energy down a step.
How to mix it
In 4A at 164 BPM: 5A (C minor) — move to 5A to push the floor harder; 4B (A♭ major) — switch to 4B for a mood change without losing the groove; 3A (B♭ minor) — drop to 3A to bring the room down gently.
Pitch range at ±6%: 154-174 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 11A rather than 4A; below -5% it reads as 9A. With key lock on, it stays 4A across the whole range.
Programming: a high-intensity peak cut.
Similar tempo
Within ±3 BPM of 164 — beatmatch without a big tempo pull.
More minimal
More from Chris Liebing
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 164 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
