Hands Down - Trentemøller's Blissed out Mix
30s preview
- Key
- 8B · C major
- BPM
- 165
- Half-time
- 83
- Open Key
- 1d
- Energy
- 45/100
- Pop
- 28/100
- Length
- 5:33
- Released
- 2017
- Album
- Hands Down
- Genre
- Minimal
- Label
- In My Room
- Loudness
- -12.0 dB
- Dynamics
- 13.7 dB
- ISRC
- DEL021770040
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Hands Downoriginal9B · 83
At 165 BPM in C major (8B), Hands Down - Trentemøller's Blissed out Mix is a very fast minimal production. It reads as dark and steady. Its spectrum is centred in the low-mids, warm and bass-forward. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 14 dB). A 2017 production that still circulates in sets. More treble-tilted than 99% of Trentemøller's catalogue. For programming, treat it as a high-intensity peak cut.
- Reach:
- better known than 93% of Trentemøller's catalogue
- Tempo:
- faster than 92% of Trentemøller's catalogue
- Energy:
- calmer than 78% of Trentemøller's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 23%
- Low
- 30-130 Hz
- 33%
- Low-mid
- 130-570 Hz
- 28%
- Upper-mid
- 570 Hz-2.5 kHz
- 16%
- High
- 2.5-11 kHz
FAQ
What key is Hands Down - Trentemøller's Blissed out Mix in?
Hands Down - Trentemøller's Blissed out Mix by Trentemøller is in C major, or 8B on the Camelot wheel.
What BPM is Hands Down - Trentemøller's Blissed out Mix?
Hands Down - Trentemøller's Blissed out Mix runs at 165 BPM, a very fast track.
What mixes well with Hands Down - Trentemøller's Blissed out Mix?
From 8B it blends harmonically with 9B, 8A, 7B. Moving to 9B lifts the energy a step.
Is Hands Down - Trentemøller's Blissed out Mix good for peak time?
With energy 45 out of 100 at 165 BPM, it works best as a high-intensity peak cut.
Mixes harmonically
8B → 7B · 9B · 8AFrom 8B, 9B (G major) lifts the energy a step; 8A (A minor) settles into the relative minor; 7B (F major) cools the energy down a step.
How to mix it
In 8B at 165 BPM: 9B (G major) — move to 9B to push the floor harder; 8A (A minor) — switch to 8A for a mood change without losing the groove; 7B (F major) — drop to 7B to bring the room down gently.
Pitch range at ±6%: 155-175 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 3B rather than 8B; below -5% it reads as 1B. With key lock on, it stays 8B across the whole range.
Programming: a high-intensity peak cut.
Similar tempo
Within ±3 BPM of 165 — beatmatch without a big tempo pull.
More minimal
More from Trentemøller
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 165 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
