Last Day by Kollektiv Turmstrasse cover art

30s preview

Key
3A · B♭ minor
BPM
112
Open Key
8m
Energy
50/100
Pop
51/100
Length
6:45
Released
2009
Genre
Minimal
Loudness
-14.7 dB
Dynamics
17.2 dB
ISRC
DEDH71400008

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Last Day runs 112 BPM in B♭ minor (3A), a mid-tempo minimal record. The mix is almost entirely instrumental. The timbre leans bright. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 17 dB). A 2009 production that still circulates in sets. Better known than 98% of Kollektiv Turmstrasse's catalogue. In a set it works best as a mid-set roller.

Tempo:
slower than 91% of Kollektiv Turmstrasse's catalogue
Low end:
more treble-tilted than 89% of Kollektiv Turmstrasse's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy50
Mood38Balanced
Groove67
Acoustic28
Instrumental93
Live11
Speech4
brightrelaxedinstrumental

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
32%
Low
30-130 Hz
32%
Low-mid
130-570 Hz
25%
Upper-mid
570 Hz-2.5 kHz
11%
High
2.5-11 kHz

FAQ

What key is Last Day in?

Last Day by Kollektiv Turmstrasse is in B♭ minor, or 3A on the Camelot wheel.

What BPM is Last Day?

Last Day runs at 112 BPM, a mid-tempo track.

What mixes well with Last Day?

From 3A it blends harmonically with 4A, 3B, 2A. Moving to 4A lifts the energy a step.

Is Last Day good for peak time?

With energy 50 out of 100 at 112 BPM, it works best as a mid-set roller.

Mixes harmonically

3A2A · 4A · 3B

From 3A, 4A (F minor) lifts the energy a step; 3B (D♭ major) brightens to the relative major; 2A (E♭ minor) cools the energy down a step.

Every move from 3A

4ASimple Mix Upper
2ASimple Mix Downer
3BTonal Shift·
4BDiagonal Mix Upper
2BDiagonal Mix Downer
12BCompatible Tone·
5AHigh Energy Boost▲▲▲
1AHigh Energy Drain▼▼▼
6AParallel Key Upper▲▲
12AParallel Key Downer▼▼
10ATritone Jump▲▲
7ARelated Keyrisky

How to mix it

In 3A at 112 BPM: 4A (F minor) — move to 4A to push the floor harder; 3B (D♭ major) — switch to 3B for a mood change without losing the groove; 2A (E♭ minor) — drop to 2A to bring the room down gently.

Pitch range at ±6%: 105-119 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10A rather than 3A; below -5% it reads as 8A. With key lock on, it stays 3A across the whole range.

Programming: a mid-set roller.

Similar tempo

Within ±3 BPM of 112 — beatmatch without a big tempo pull.

More minimal

More from Kollektiv Turmstrasse

Full profile

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 112 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

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