Zehnpunkt-Marienkäfer - Audiokommentar
30s preview
- BPM
- 112
- Open Key
- 5m
- Energy
- 33/100
- Pop
- 0/100
- Length
- 1:27
- Released
- 2019
- Album
- Mannigfaltig (Audiokommentar)
- Genre
- Tech House
- Loudness
- -21.4 dB
- Dynamics
- 19.9 dB
- ISRC
- DEG931912059
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Zehnpunkt-Marienkäfer - Shed Remixremix8A · 132
- Zehnpunkt-Marienkäfer - Audio Commentaryoriginal3B · 89
At 112 BPM in D♭ minor (12A), Zehnpunkt-Marienkäfer - Audiokommentar is a mid-tempo tech house production. Tonally it lands warm and mellow. The groove is strong and floor-ready. It is vocal-led. Spoken-word passages run through it. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 20 dB). More underground than 99% of Dominik Eulberg's catalogue. In a set it works best as a warm-up or breakdown cut.
- Brightness:
- brighter than 97% of Dominik Eulberg's catalogue
- Energy:
- calmer than 83% of Dominik Eulberg's catalogue
- Low end:
- more treble-tilted than 80% of Dominik Eulberg's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 32%
- Low
- 30-130 Hz
- 32%
- Low-mid
- 130-570 Hz
- 21%
- Upper-mid
- 570 Hz-2.5 kHz
- 15%
- High
- 2.5-11 kHz
FAQ
What key is Zehnpunkt-Marienkäfer - Audiokommentar in?
Zehnpunkt-Marienkäfer - Audiokommentar by Dominik Eulberg is in D♭ minor, or 12A on the Camelot wheel.
What BPM is Zehnpunkt-Marienkäfer - Audiokommentar?
Zehnpunkt-Marienkäfer - Audiokommentar runs at 112 BPM, a mid-tempo track.
What mixes well with Zehnpunkt-Marienkäfer - Audiokommentar?
From 12A it blends harmonically with 1A, 12B, 11A. Moving to 1A lifts the energy a step.
Is Zehnpunkt-Marienkäfer - Audiokommentar good for peak time?
With energy 33 out of 100 at 112 BPM, it works best as a warm-up or breakdown cut.
Mixes harmonically
12A → 11A · 1A · 12BFrom 12A, 1A (A♭ minor) lifts the energy a step; 12B (E major) brightens to the relative major; 11A (F♯ minor) cools the energy down a step.
How to mix it
In 12A at 112 BPM: 1A (A♭ minor) — move to 1A to push the floor harder; 12B (E major) — switch to 12B for a mood change without losing the groove; 11A (F♯ minor) — drop to 11A to bring the room down gently.
Pitch range at ±6%: 105-119 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 7A rather than 12A; below -5% it reads as 5A. With key lock on, it stays 12A across the whole range.
Programming: a warm-up or breakdown cut — early set or after a peak to reset the room.
Similar tempo
Within ±3 BPM of 112 — beatmatch without a big tempo pull.
More tech house
More from Dominik Eulberg
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 112 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
