Intro
30s preview
- BPM
- 114
- Open Key
- 9d
- Energy
- 43/100
- Pop
- 1/100
- Length
- 2:26
- Released
- 2014
- Genre
- Tech House
- Loudness
- -10.3 dB
- Dynamics
- 13.9 dB
- ISRC
- GBR5R1300247
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
At 114 BPM in A♭ major (4B), Intro is a mid-tempo tech house production. The feel is dark and steady. The groove is loose and less beat-driven. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 14 dB). A 2014 production that still circulates in sets. Calmer than 99% of Marc Marzenit's catalogue. In a set it works best as a warm-up or breakdown cut.
- Groove:
- less groove-driven than 99% of Marc Marzenit's catalogue
- Tempo:
- slower than 97% of Marc Marzenit's catalogue
- Brightness:
- darker than 89% of Marc Marzenit's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 34%
- Low
- 30-130 Hz
- 26%
- Low-mid
- 130-570 Hz
- 24%
- Upper-mid
- 570 Hz-2.5 kHz
- 16%
- High
- 2.5-11 kHz
FAQ
What key is Intro in?
Intro by Marc Marzenit is in A♭ major, or 4B on the Camelot wheel.
What BPM is Intro?
Intro runs at 114 BPM, a mid-tempo track.
What mixes well with Intro?
From 4B it blends harmonically with 5B, 4A, 3B. Moving to 5B lifts the energy a step.
Is Intro good for peak time?
With energy 43 out of 100 at 114 BPM, it works best as a warm-up or breakdown cut.
Mixes harmonically
4B → 3B · 5B · 4AFrom 4B, 5B (E♭ major) lifts the energy a step; 4A (F minor) settles into the relative minor; 3B (D♭ major) cools the energy down a step.
![[ ] by NTO cover art](https://i.scdn.co/image/ab67616d00001e0282b74ee689d5aa9724d6537a){kind=small}
How to mix it
In 4B at 114 BPM: 5B (E♭ major) — move to 5B to push the floor harder; 4A (F minor) — switch to 4A for a mood change without losing the groove; 3B (D♭ major) — drop to 3B to bring the room down gently.
Pitch range at ±6%: 107-121 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 11B rather than 4B; below -5% it reads as 9B. With key lock on, it stays 4B across the whole range.
Programming: a warm-up or breakdown cut — early set or after a peak to reset the room.
Similar tempo
Within ±3 BPM of 114 — beatmatch without a big tempo pull.
More tech house
More from Marc Marzenit
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 114 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
