Where I Belong by Gui Boratto cover art

Where I Belong

Gui Boratto

30s preview

Key
3A · B♭ minor
BPM
114
Open Key
8m
Energy
37/100
Pop
5/100
Length
4:03
Released
2014
Genre
Tech House
Loudness
-14.7 dB
Dynamics
10.4 dB
ISRC
DEU671400235

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Where I Belong: mid-tempo tech house, B♭ minor (3A), 114 BPM. It reads as brooding and low-slung. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. A 2014 production that still circulates in sets. Calmer than 96% of Gui Boratto's catalogue. In a set it works best as a warm-up or breakdown cut.

Tempo:
slower than 95% of Gui Boratto's catalogue
Groove:
less groove-driven than 92% of Gui Boratto's catalogue
Low end:
more bass-heavy than 87% of Gui Boratto's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy37
Mood24Dark
Groove57
Acoustic11
Instrumental85
Live12
Speech3

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
44%
Low
30-130 Hz
30%
Low-mid
130-570 Hz
17%
Upper-mid
570 Hz-2.5 kHz
9%
High
2.5-11 kHz

FAQ

What key is Where I Belong in?

Where I Belong by Gui Boratto is in B♭ minor, or 3A on the Camelot wheel.

What BPM is Where I Belong?

Where I Belong runs at 114 BPM, a mid-tempo track.

What mixes well with Where I Belong?

From 3A it blends harmonically with 4A, 3B, 2A. Moving to 4A lifts the energy a step.

Is Where I Belong good for peak time?

With energy 37 out of 100 at 114 BPM, it works best as a warm-up or breakdown cut.

Mixes harmonically

3A2A · 4A · 3B

From 3A, 4A (F minor) lifts the energy a step; 3B (D♭ major) brightens to the relative major; 2A (E♭ minor) cools the energy down a step.

Every move from 3A

4ASimple Mix Upper
2ASimple Mix Downer
3BTonal Shift·
4BDiagonal Mix Upper
2BDiagonal Mix Downer
12BCompatible Tone·
5AHigh Energy Boost▲▲▲
1AHigh Energy Drain▼▼▼
6AParallel Key Upper▲▲
12AParallel Key Downer▼▼
10ATritone Jump▲▲
7ARelated Keyrisky

How to mix it

In 3A at 114 BPM: 4A (F minor) — move to 4A to push the floor harder; 3B (D♭ major) — switch to 3B for a mood change without losing the groove; 2A (E♭ minor) — drop to 2A to bring the room down gently.

Pitch range at ±6%: 107-121 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10A rather than 3A; below -5% it reads as 8A. With key lock on, it stays 3A across the whole range.

Programming: a warm-up or breakdown cut — early set or after a peak to reset the room.

Similar tempo

Within ±3 BPM of 114 — beatmatch without a big tempo pull.

More tech house

More from Gui Boratto

Full profile

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 114 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#Track