Calle Chiapas
- Key
- 9A · E minor
- BPM
- 114
- Open Key
- 2m
- Energy
- 43/100
- Pop
- 7/100
- Length
- 7:42
- Released
- 2017
- Album
- Dhunche
- Genre
- Tech House
- Loudness
- -15.4 dB
- ISRC
- DEPQ61700568
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Calle Chiapas runs 114 BPM in E minor (9A), a mid-tempo tech house record. Tonally it lands dark and steady. The groove is strong and floor-ready. The mix is almost entirely instrumental. The master keeps real dynamic headroom. A 2017 production that still circulates in sets. Darker than 93% of Timboletti's catalogue. For programming, treat it as a warm-up or breakdown cut.
- Groove:
- groovier than 92% of Timboletti's catalogue
- Energy:
- calmer than 88% of Timboletti's catalogue
- Reach:
- better known than 82% of Timboletti's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Calle Chiapas in?
Calle Chiapas by Timboletti is in E minor, or 9A on the Camelot wheel.
What BPM is Calle Chiapas?
Calle Chiapas runs at 114 BPM, a mid-tempo track.
What mixes well with Calle Chiapas?
From 9A it blends harmonically with 10A, 9B, 8A. Moving to 10A lifts the energy a step.
Is Calle Chiapas good for peak time?
With energy 43 out of 100 at 114 BPM, it works best as a warm-up or breakdown cut.
Mixes harmonically
9A → 8A · 10A · 9BFrom 9A, 10A (B minor) lifts the energy a step; 9B (G major) brightens to the relative major; 8A (A minor) cools the energy down a step.
How to mix it
In 9A at 114 BPM: 10A (B minor) — move to 10A to push the floor harder; 9B (G major) — switch to 9B for a mood change without losing the groove; 8A (A minor) — drop to 8A to bring the room down gently.
Pitch range at ±6%: 107-121 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 4A rather than 9A; below -5% it reads as 2A. With key lock on, it stays 9A across the whole range.
Programming: a warm-up or breakdown cut — early set or after a peak to reset the room.
Similar tempo
Within ±3 BPM of 114 — beatmatch without a big tempo pull.
More tech house
More from Timboletti
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 114 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
