Entangled - Ole-Bjørn Talstad Rework
- BPM
- 157
- Half-time
- 79
- Open Key
- 4m
- Energy
- 4/100
- Pop
- 36/100
- Length
- 2:13
- Released
- 2022
- Album
- Entangled (Ole-Bjørn Talstad Rework)
- Genre
- Progressive House
- Loudness
- -28.1 dB
- ISRC
- GBKQU2263615
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Entangledoriginal9A · 182
- Entangled - Extended Mixversion9A · 181
- Entangled - Modera Extended Remixremix11A · 182
- Entangledoriginal11A · 181
Against the original (9A at 182 BPM), this version runs 25 BPM slower and moves the key from 9A to 11A.
At 157 BPM in F♯ minor (11A), Entangled - Ole-Bjørn Talstad Rework is a fast progressive house production. The groove is loose and less beat-driven. The mix is almost entirely instrumental. The master keeps real dynamic headroom. Calmer than 99% of Klur's catalogue. In a set it works best as a warm-up or breakdown cut.
- Groove:
- less groove-driven than 98% of Klur's catalogue
- Tempo:
- faster than 91% of Klur's catalogue
- Reach:
- better known than 81% of Klur's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Entangled - Ole-Bjørn Talstad Rework in?
Entangled - Ole-Bjørn Talstad Rework by Klur is in F♯ minor, or 11A on the Camelot wheel.
What BPM is Entangled - Ole-Bjørn Talstad Rework?
Entangled - Ole-Bjørn Talstad Rework runs at 157 BPM, a fast track.
What mixes well with Entangled - Ole-Bjørn Talstad Rework?
From 11A it blends harmonically with 12A, 11B, 10A. Moving to 12A lifts the energy a step.
Is Entangled - Ole-Bjørn Talstad Rework good for peak time?
With energy 4 out of 100 at 157 BPM, it works best as a warm-up or breakdown cut.
Mixes harmonically
11A → 10A · 12A · 11BFrom 11A, 12A (D♭ minor) lifts the energy a step; 11B (A major) brightens to the relative major; 10A (B minor) cools the energy down a step.
How to mix it
In 11A at 157 BPM: 12A (D♭ minor) — move to 12A to push the floor harder; 11B (A major) — switch to 11B for a mood change without losing the groove; 10A (B minor) — drop to 10A to bring the room down gently.
Pitch range at ±6%: 148-166 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 6A rather than 11A; below -5% it reads as 4A. With key lock on, it stays 11A across the whole range.
Programming: a warm-up or breakdown cut — early set or after a peak to reset the room.
Similar tempo
Within ±3 BPM of 157 — beatmatch without a big tempo pull.
More progressive house
More from Klur
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 157 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
