Entangled
- BPM
- 181
- Half-time
- 91
- Open Key
- 4m
- Energy
- 49/100
- Pop
- 4/100
- Length
- 3:42
- Released
- 2022
- Genre
- Progressive House
- Label
- Colorize
- Loudness
- -12.0 dB
- ISRC
- GBKQU2329342
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Entangled - Ole-Bjørn Talstad Reworkremix11A · 157
- Entangledoriginal9A · 182
- Entangled - Extended Mixversion9A · 181
- Entangled - Modera Extended Remixremix11A · 182
Entangled: progressive house, F♯ minor (11A), 181 BPM. It reads as dark and steady. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. Darker than 96% of Klur's catalogue. In a set it works best as an opener or closing-set piece.
- Reach:
- more underground than 96% of Klur's catalogue
- Tempo:
- faster than 93% of Klur's catalogue
- Energy:
- calmer than 88% of Klur's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 37%
- Low
- 30-130 Hz
- 30%
- Low-mid
- 130-570 Hz
- 23%
- Upper-mid
- 570 Hz-2.5 kHz
- 10%
- High
- 2.5-11 kHz
FAQ
What key is Entangled in?
Entangled by Klur is in F♯ minor, or 11A on the Camelot wheel.
What BPM is Entangled?
Entangled runs at 181 BPM.
What mixes well with Entangled?
From 11A it blends harmonically with 12A, 11B, 10A. Moving to 12A lifts the energy a step.
Is Entangled good for peak time?
With energy 49 out of 100 at 181 BPM, it works best as an opener or closing-set piece.
Mixes harmonically
11A → 10A · 12A · 11BFrom 11A, 12A (D♭ minor) lifts the energy a step; 11B (A major) brightens to the relative major; 10A (B minor) cools the energy down a step.
How to mix it
In 11A at 181 BPM: 12A (D♭ minor) — move to 12A to push the floor harder; 11B (A major) — switch to 11B for a mood change without losing the groove; 10A (B minor) — drop to 10A to bring the room down gently.
Pitch range at ±6%: 170-192 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 6A rather than 11A; below -5% it reads as 4A. With key lock on, it stays 11A across the whole range.
Programming: an opener or closing-set piece.
Similar tempo
Within ±3 BPM of 181 — beatmatch without a big tempo pull.
More progressive house
More from Klur
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 181 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
