Come Together - Beatless
30s preview
- Key
- 6A · G minor
- BPM
- 184
- Half-time
- 92
- Open Key
- 11m
- Energy
- 41/100
- Pop
- 4/100
- Length
- 5:44
- Released
- 2020
- Album
- Together EP
- Genre
- Progressive House
- Label
- Innervisions
- Loudness
- -9.5 dB
- Dynamics
- 10.7 dB
- ISRC
- DEEC31810205
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Come Togetheroriginal6A · 124
A progressive house cut, Come Together - Beatless sits in G minor (6A) at 184 BPM. The feel is dark and steady. It is vocal-led. Faster than 98% of Henrik Schwarz's catalogue.
- Groove:
- less groove-driven than 96% of Henrik Schwarz's catalogue
- Brightness:
- darker than 90% of Henrik Schwarz's catalogue
- Low end:
- more treble-tilted than 87% of Henrik Schwarz's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 31%
- Low
- 30-130 Hz
- 32%
- Low-mid
- 130-570 Hz
- 23%
- Upper-mid
- 570 Hz-2.5 kHz
- 14%
- High
- 2.5-11 kHz
FAQ
What key is Come Together - Beatless in?
Come Together - Beatless by Henrik Schwarz is in G minor, or 6A on the Camelot wheel.
What BPM is Come Together - Beatless?
Come Together - Beatless runs at 184 BPM.
What mixes well with Come Together - Beatless?
From 6A it blends harmonically with 7A, 6B, 5A. Moving to 7A lifts the energy a step.
Is Come Together - Beatless good for peak time?
With energy 41 out of 100 at 184 BPM, it works best as a warm-up or breakdown cut.
Mixes harmonically
6A → 5A · 7A · 6BFrom 6A, 7A (D minor) lifts the energy a step; 6B (B♭ major) brightens to the relative major; 5A (C minor) cools the energy down a step.
How to mix it
In 6A at 184 BPM: 7A (D minor) — move to 7A to push the floor harder; 6B (B♭ major) — switch to 6B for a mood change without losing the groove; 5A (C minor) — drop to 5A to bring the room down gently.
Pitch range at ±6%: 173-195 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 1A rather than 6A; below -5% it reads as 11A. With key lock on, it stays 6A across the whole range.
Programming: a warm-up or breakdown cut — early set or after a peak to reset the room.
Similar tempo
Within ±3 BPM of 184 — beatmatch without a big tempo pull.
More progressive house
More from Henrik Schwarz
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 184 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
