w by Olafur Arnalds cover art
Key
12A · D♭ minor
BPM
154
Half-time
77
Open Key
5m
Energy
13/100
Pop
47/100
Length
3:10
Released
2015
Genre
Downtempo
Loudness
-23.8 dB

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Other versions

  • woriginal9A · 116

w runs 154 BPM in D♭ minor (12A), a fast downtempo record. The groove is loose and less beat-driven. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. A 2015 production that still circulates in sets. Better known than 95% of Olafur Arnalds's catalogue.

Tempo:
faster than 88% of Olafur Arnalds's catalogue
Brightness:
brighter than 76% of Olafur Arnalds's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy13
Mood17Dark
Groove30
Acoustic99
Instrumental81
Live13
Speech4
darkrelaxedinstrumental

Frequency spectrum

amplitude · bass → treble

FAQ

What key is w in?

w by Olafur Arnalds is in D♭ minor, or 12A on the Camelot wheel.

What BPM is w?

w runs at 154 BPM, a fast track.

What mixes well with w?

From 12A it blends harmonically with 1A, 12B, 11A. Moving to 1A lifts the energy a step.

Is w good for peak time?

With energy 13 out of 100 at 154 BPM, it works best as a warm-up or breakdown cut.

Mixes harmonically

12A11A · 1A · 12B

From 12A, 1A (A♭ minor) lifts the energy a step; 12B (E major) brightens to the relative major; 11A (F♯ minor) cools the energy down a step.

Every move from 12A

1ASimple Mix Upper
11ASimple Mix Downer
12BTonal Shift·
1BDiagonal Mix Upper
11BDiagonal Mix Downer
9BCompatible Tone·
2AHigh Energy Boost▲▲▲
10AHigh Energy Drain▼▼▼
3AParallel Key Upper▲▲
9AParallel Key Downer▼▼
7ATritone Jump▲▲
4ARelated Keyrisky

How to mix it

In 12A at 154 BPM: 1A (A♭ minor) — move to 1A to push the floor harder; 12B (E major) — switch to 12B for a mood change without losing the groove; 11A (F♯ minor) — drop to 11A to bring the room down gently.

Pitch range at ±6%: 145-163 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 7A rather than 12A; below -5% it reads as 5A. With key lock on, it stays 12A across the whole range.

Programming: a warm-up or breakdown cut — early set or after a peak to reset the room.

Similar tempo

Within ±3 BPM of 154 — beatmatch without a big tempo pull.

#Track

More downtempo

More from Olafur Arnalds

Full profile
#Track

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 154 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#Track