Through the Screen by Olafur Arnalds cover art

Through the Screen

Olafur Arnalds

Key
6A · G minor
BPM
76
Double-time
152
Open Key
11m
Energy
1/100
Pop
13/100
Length
1:42
Released
2012
Genre
Downtempo
Loudness
-30.7 dB

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Other versions

At 76 BPM in G minor (6A), Through the Screen is a downtempo production. The feel is subdued and even. The mix is almost entirely instrumental. Its spectrum is centred in the low-mids, warm and bass-forward. The master keeps real dynamic headroom. A 2012 production that still circulates in sets. Calmer than 96% of Olafur Arnalds's catalogue.

Brightness:
brighter than 95% of Olafur Arnalds's catalogue
Tempo:
slower than 79% of Olafur Arnalds's catalogue
Groove:
groovier than 76% of Olafur Arnalds's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy1
Mood44Balanced
Groove45
Acoustic100
Instrumental96
Live11
Speech12

Frequency spectrum

amplitude · bass → treble

FAQ

What key is Through the Screen in?

Through the Screen by Olafur Arnalds is in G minor, or 6A on the Camelot wheel.

What BPM is Through the Screen?

Through the Screen runs at 76 BPM.

What mixes well with Through the Screen?

From 6A it blends harmonically with 7A, 6B, 5A. Moving to 7A lifts the energy a step.

Is Through the Screen good for peak time?

With energy 1 out of 100 at 76 BPM, it works best as a warm-up or breakdown cut.

Mixes harmonically

6A5A · 7A · 6B

From 6A, 7A (D minor) lifts the energy a step; 6B (B♭ major) brightens to the relative major; 5A (C minor) cools the energy down a step.

#Track

Every move from 6A

7ASimple Mix Upper
5ASimple Mix Downer
6BTonal Shift·
7BDiagonal Mix Upper
5BDiagonal Mix Downer
3BCompatible Tone·
8AHigh Energy Boost▲▲▲
4AHigh Energy Drain▼▼▼
9AParallel Key Upper▲▲
3AParallel Key Downer▼▼
1ATritone Jump▲▲
10ARelated Keyrisky

How to mix it

In 6A at 76 BPM: 7A (D minor) — move to 7A to push the floor harder; 6B (B♭ major) — switch to 6B for a mood change without losing the groove; 5A (C minor) — drop to 5A to bring the room down gently.

Pitch range at ±6%: 71-81 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 1A rather than 6A; below -5% it reads as 11A. With key lock on, it stays 6A across the whole range.

Programming: a warm-up or breakdown cut — early set or after a peak to reset the room.

Similar tempo

Within ±3 BPM of 76 — beatmatch without a big tempo pull.

More downtempo

#Track

More from Olafur Arnalds

Full profile
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Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 76 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#Track