Alice Enters
30s preview
- Key
- 7A · D minor
- BPM
- 144
- Half-time
- 72
- Open Key
- 12m
- Energy
- 0/100
- Pop
- 0/100
- Length
- 2:58
- Released
- 2012
- Album
- Another Happy Day (Original Motion Picture Soundtrack)
- Genre
- Downtempo
- Loudness
- -31.1 dB
- Dynamics
- 18.5 dB
- ISRC
- GBWZD1103805
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Alice Entersoriginal7A · 144
At 144 BPM in D minor (7A), Alice Enters is a driving up-tempo downtempo production. The groove is loose and less beat-driven. The mix is almost entirely instrumental. Its spectrum is centred in the low-mids, warm and bass-forward. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 19 dB). A 2012 production that still circulates in sets. Calmer than 99% of Olafur Arnalds's catalogue. In a set it works best as a warm-up or breakdown cut.
- Reach:
- more underground than 99% of Olafur Arnalds's catalogue
- Brightness:
- darker than 87% of Olafur Arnalds's catalogue
- Tempo:
- faster than 83% of Olafur Arnalds's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 32%
- Low
- 30-130 Hz
- 40%
- Low-mid
- 130-570 Hz
- 24%
- Upper-mid
- 570 Hz-2.5 kHz
- 4%
- High
- 2.5-11 kHz
FAQ
What key is Alice Enters in?
Alice Enters by Olafur Arnalds is in D minor, or 7A on the Camelot wheel.
What BPM is Alice Enters?
Alice Enters runs at 144 BPM, a driving up-tempo track.
What mixes well with Alice Enters?
From 7A it blends harmonically with 8A, 7B, 6A. Moving to 8A lifts the energy a step.
Is Alice Enters good for peak time?
With energy 0 out of 100 at 144 BPM, it works best as a warm-up or breakdown cut.
Mixes harmonically
7A → 6A · 8A · 7BFrom 7A, 8A (A minor) lifts the energy a step; 7B (F major) brightens to the relative major; 6A (G minor) cools the energy down a step.
How to mix it
In 7A at 144 BPM: 8A (A minor) — move to 8A to push the floor harder; 7B (F major) — switch to 7B for a mood change without losing the groove; 6A (G minor) — drop to 6A to bring the room down gently.
Pitch range at ±6%: 135-153 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 2A rather than 7A; below -5% it reads as 12A. With key lock on, it stays 7A across the whole range.
Programming: a warm-up or breakdown cut — early set or after a peak to reset the room.
Similar tempo
Within ±3 BPM of 144 — beatmatch without a big tempo pull.
More downtempo
More from Olafur Arnalds
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 144 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
