Origami by Anfisa Letyago cover art

30s preview

Key
12A · D♭ minor
BPM
140
Half-time
70
Open Key
5m
Energy
76/100
Pop
37/100
Length
3:21
Released
2024
Genre
Techno
Label
Noted. Records
Loudness
-5.8 dB
Dynamics
9.9 dB
ISRC
DEE862401014

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

At 140 BPM in D♭ minor (12A), Origami is a driving up-tempo techno production. The feel is punchy, neutral in mood. It is vocal-led. Its spectrum is weighted to the sub and kick, with a heavy low end. Better known than 97% of Anfisa Letyago's catalogue. In a set it works best as a peak-time weapon.

Low end:
more treble-tilted than 81% of Anfisa Letyago's catalogue
Groove:
less groove-driven than 80% of Anfisa Letyago's catalogue
Brightness:
brighter than 79% of Anfisa Letyago's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy76
Mood39Balanced
Groove63
Acoustic2
Instrumental10
Live8
Speech7

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
34%
Low
30-130 Hz
29%
Low-mid
130-570 Hz
22%
Upper-mid
570 Hz-2.5 kHz
16%
High
2.5-11 kHz

FAQ

What key is Origami in?

Origami by Anfisa Letyago is in D♭ minor, or 12A on the Camelot wheel.

What BPM is Origami?

Origami runs at 140 BPM, a driving up-tempo track.

What mixes well with Origami?

From 12A it blends harmonically with 1A, 12B, 11A. Moving to 1A lifts the energy a step.

Is Origami good for peak time?

With energy 76 out of 100 at 140 BPM, it works best as a peak-time weapon.

Mixes harmonically

12A11A · 1A · 12B

From 12A, 1A (A♭ minor) lifts the energy a step; 12B (E major) brightens to the relative major; 11A (F♯ minor) cools the energy down a step.

Every move from 12A

1ASimple Mix Upper
11ASimple Mix Downer
12BTonal Shift·
1BDiagonal Mix Upper
11BDiagonal Mix Downer
9BCompatible Tone·
2AHigh Energy Boost▲▲▲
10AHigh Energy Drain▼▼▼
3AParallel Key Upper▲▲
9AParallel Key Downer▼▼
7ATritone Jump▲▲
4ARelated Keyrisky

How to mix it

In 12A at 140 BPM: 1A (A♭ minor) — move to 1A to push the floor harder; 12B (E major) — switch to 12B for a mood change without losing the groove; 11A (F♯ minor) — drop to 11A to bring the room down gently.

Pitch range at ±6%: 132-148 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 7A rather than 12A; below -5% it reads as 5A. With key lock on, it stays 12A across the whole range.

Programming: a peak-time weapon — save it for the main stretch (energy 76/100).

Similar tempo

Within ±3 BPM of 140 — beatmatch without a big tempo pull.

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Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 140 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

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