Coffeebar by Chris Liebing cover art

Coffeebar

Chris Liebing

30s preview

Key
1A · A♭ minor
BPM
140
Half-time
70
Open Key
6m
Energy
84/100
Pop
1/100
Length
9:23
Released
1997
Genre
Techno
Label
Fine Audio Recordings
Loudness
-10.1 dB
Dynamics
12.1 dB
ISRC
DEE829702210

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Coffeebar runs 140 BPM in A♭ minor (1A), a driving up-tempo techno record. The feel is dark and driving. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 12 dB). A 1997 production that still circulates in sets. Groovier than 91% of Chris Liebing's catalogue. In a set it works best as a peak-time weapon.

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy84
Mood29Dark
Groove77
Acoustic0
Instrumental94
Live8
Speech9

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
38%
Low
30-130 Hz
31%
Low-mid
130-570 Hz
18%
Upper-mid
570 Hz-2.5 kHz
14%
High
2.5-11 kHz

FAQ

What key is Coffeebar in?

Coffeebar by Chris Liebing is in A♭ minor, or 1A on the Camelot wheel.

What BPM is Coffeebar?

Coffeebar runs at 140 BPM, a driving up-tempo track.

What mixes well with Coffeebar?

From 1A it blends harmonically with 2A, 1B, 12A. Moving to 2A lifts the energy a step.

Is Coffeebar good for peak time?

With energy 84 out of 100 at 140 BPM, it works best as a peak-time weapon.

Mixes harmonically

1A12A · 2A · 1B

From 1A, 2A (E♭ minor) lifts the energy a step; 1B (B major) brightens to the relative major; 12A (D♭ minor) cools the energy down a step.

#Track

Every move from 1A

2ASimple Mix Upper
12ASimple Mix Downer
1BTonal Shift·
2BDiagonal Mix Upper
12BDiagonal Mix Downer
10BCompatible Tone·
3AHigh Energy Boost▲▲▲
11AHigh Energy Drain▼▼▼
4AParallel Key Upper▲▲
10AParallel Key Downer▼▼
8ATritone Jump▲▲
5ARelated Keyrisky

How to mix it

In 1A at 140 BPM: 2A (E♭ minor) — move to 2A to push the floor harder; 1B (B major) — switch to 1B for a mood change without losing the groove; 12A (D♭ minor) — drop to 12A to bring the room down gently.

Pitch range at ±6%: 132-148 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 8A rather than 1A; below -5% it reads as 6A. With key lock on, it stays 1A across the whole range.

Programming: a peak-time weapon — save it for the main stretch (energy 84/100).

Similar tempo

Within ±3 BPM of 140 — beatmatch without a big tempo pull.

More techno

#Track

More from Chris Liebing

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Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 140 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#Track