Fools in Love by Kollektiv Turmstrasse cover art

30s preview

Key
4A · F minor
BPM
140
Half-time
70
Open Key
9m
Energy
83/100
Pop
20/100
Length
3:06
Released
2023
Genre
Minimal
Loudness
-7.5 dB
Dynamics
12.0 dB
ISRC
DE1I42300011

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

A driving up-tempo minimal cut, Fools in Love sits in F minor (4A) at 140 BPM. The feel is punchy, neutral in mood. Rhythmically it is built for the dancefloor. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 12 dB). Hotter than 91% of Kollektiv Turmstrasse's catalogue. For programming, treat it as a peak-time weapon.

Tempo:
faster than 87% of Kollektiv Turmstrasse's catalogue
Reach:
better known than 77% of Kollektiv Turmstrasse's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy83
Mood38Balanced
Groove72
Acoustic4
Instrumental31
Live11
Speech7

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
35%
Low
30-130 Hz
29%
Low-mid
130-570 Hz
21%
Upper-mid
570 Hz-2.5 kHz
14%
High
2.5-11 kHz

FAQ

What key is Fools in Love in?

Fools in Love by Kollektiv Turmstrasse is in F minor, or 4A on the Camelot wheel.

What BPM is Fools in Love?

Fools in Love runs at 140 BPM, a driving up-tempo track.

What mixes well with Fools in Love?

From 4A it blends harmonically with 5A, 4B, 3A. Moving to 5A lifts the energy a step.

Is Fools in Love good for peak time?

With energy 83 out of 100 at 140 BPM, it works best as a peak-time weapon.

Mixes harmonically

4A3A · 5A · 4B

From 4A, 5A (C minor) lifts the energy a step; 4B (A♭ major) brightens to the relative major; 3A (B♭ minor) cools the energy down a step.

#Track

Every move from 4A

5ASimple Mix Upper
3ASimple Mix Downer
4BTonal Shift·
5BDiagonal Mix Upper
3BDiagonal Mix Downer
1BCompatible Tone·
6AHigh Energy Boost▲▲▲
2AHigh Energy Drain▼▼▼
7AParallel Key Upper▲▲
1AParallel Key Downer▼▼
11ATritone Jump▲▲
8ARelated Keyrisky

How to mix it

In 4A at 140 BPM: 5A (C minor) — move to 5A to push the floor harder; 4B (A♭ major) — switch to 4B for a mood change without losing the groove; 3A (B♭ minor) — drop to 3A to bring the room down gently.

Pitch range at ±6%: 132-148 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 11A rather than 4A; below -5% it reads as 9A. With key lock on, it stays 4A across the whole range.

Programming: a peak-time weapon — save it for the main stretch (energy 83/100).

Similar tempo

Within ±3 BPM of 140 — beatmatch without a big tempo pull.

#Track

More minimal

More from Kollektiv Turmstrasse

Full profile

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 140 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#Track